Saturday, August 26, 2017

Adams Vase

Let's discuss the Adams Vase, because, OMG! it is so over the top!

It's supposed to look like a cotton flower, but it looks more like the warm-up for a bacchanal.  First of all, it's gold.  And covered in amethysts, pearls, and tourmalines.  And it's got semi-naked gods all over it.


 I'm not sure what Mercury is wearing here, but it looks like a sheer veil.  He's thinking about something, probably, "If I shimmy three steps to the right and then two the left, I can loop my veil over a hottie; but which one?"
The youth on the right is warming his hands, or else making an offering; I think the other youth has an oar.
 Mr. Adams was apparently an industrialist in the cotton oil business.  I had to look up the uses of cotton seed oil and it was essentially the high-fructose corn syrup of the late 1800's.  Only for lard as it was a key component in Crisco.  And potato chips.
I don't know why these birds are holding up garlands.


I'm thinking there's a message here, but I'm not sure what it is.  I'm pretty sure that Oregon State University hadn't incorporated at the time of this vase's construction, so it can't be a symbol of school pride.


What's That On Your Head?

 When I was at the MET, I saw this wig in the Egyptian Wing.  I'm not sure how authentic the style is, as I think the conservatory staff had to reconstruct the wig based on carvings and paintings.  However, I like the triangular negative space defined by the wig, and the intertwined locks look nice.  There's something refreshing about the simplicity of the metal bands interweaving in the hair.









I tried to take a picture of me as if I were wearing the wig, but it didn't exactly come out the way I expected.   I guess they really couldn't have duplicate wigs out for the thousands of visitors to try on.

Friday, August 25, 2017

Eclipse

Sunday morning we traveled to my folk's house to be in place for the total eclipse of the sun which would take place the following Monday morning.  The Oregon Department of Transportation, the state police, and various news sites had been forecasting epoceclipse, with dire warnings that the event would turn into a combination Woodstock and hurricane Katrina.  Millions were expected to descend upon Oregon like a plague of locusts, eat all the food, buy all the gas, and start a zillion forest fires.

We opted to drive the day before the eclipse.  The traffic along 99W was fine, with the occasional, mandatory, slow farm truck.  We had a lovely day with my folks and my sister's family.  At 1:15PM  I laid down some painter's tape (aligned with the meridian sun)  on the deck to get a feel for the cardinal directions.  My folks' house is on a north-east by south-west axis, which has more to do with the slope it's on than with any solar alignment.  I double-checked it later that evening off of Polaris and it was close enough.

Monday morning, I woke up before sunrise and went out to see what could be seen.  There are a lot of forest fires going on around the state, and Sunday had become hazier and hazier as the day progressed.  Also, it's not unusual for the night to bring clouds in from the coast.  The sky was dark blue, which progressed to a kind of purple and to orange on the eastern horizon.  A bank of low haze hid the Cascade Mountains.  I took a few pictures of Venus.

When the sun rose, it was much more north than I'd expected.  I put down some more tape to mark where I thought the sun would be at 9 AM, set up a tripod and cameras, and made breakfast mimosas.  The family gathered for bacon and eggs and panckakes, and then it was time for first contact.

The local amber alert system sent various messages to everyone's cell phones warning people to 1) pay attention to the road, not the eclipse, while driving; 2) to watch for falling rocks while climbing during the eclipse, and; 3) to not look at the sun without proper eye protection.   In their driveway, the neighbors next door, laughed a lot, and we joked about throwing rocks at each other.  We also bet that the next amber alert would be about fireballs and the end times.

Through eclipse glasses, the sun's disk showed a little nibble out of it.  We tried various methods of projecting the crescent.  The binoculars produced the largest, most study-able image, while a colander produced the most artistic image.  I went back and forth on how much I liked looking through the eclipse glasses at the sun; at the beginning it was like looking at an eclipse of the moon, only more boring because the sun's disk is featureless and the moon has craters.  Also, I hadn't practiced, so I didn't figure out how to take a picture of the sun with the eclipse glasses over my camera: so those shots were odd reflections between the Mylar and the lens.

When the moon had the sun about half-way covered, the quality of the light was odd.  It was sunlight, but the intensity was down; in retrospect, I'd say it was like moonlight on a bright full moon night, except it was day.  At the start of the eclipse, the morning promised to be hot -- and I'd been sweating on my folks deck.  But now the sunlight shining on my arm didn't heat it at all.

We spotted two white objects.  At first we thought one of them might have been Venus, but they turned out to be weather balloons.   The kids were surprisingly nonplussed about the crescent sun, and roped Mark into a game of Monopoly.  We did get them out as totality approached.

It got darker and colder.

Mark saw the shadow bands first: squiggly waves running up the wall behind us.  Faster than a cloud's shadow, and more subtle, they broke the illusion that the house is a fixed object in space, and is actually a moving point on the celestial machine.  On some level, we knew we were seeing the portents of the swift and massive dance of the heavens.  The sundial motto, "Light is the Shadow of God" never felt more true at that moment.

Totality was upon us.  Things happened in quick succession.  The crescent sun became a fingernail, became a hairline, and winked out.   We whipped off our glasses.  I said, "Oh wow..."

A huge black disk hung in the middle of a white corona in a midnight blue sky.  I stood in a circle of quiet; distantly, I heard the kids jumping up and down and shouting that this was the coolest thing ever, neighbors whooping, and fireworks going off.   I snapped some photos.

"I think I see Mercury," I said, "at about eight o'clock."   The corona stretched away from the disk in asymmetric loops, like long silvered hair given life by static electricity.  There was a faint dot tangled in the corona, near the black disk--later I wondered if I was actually seeing Regulus.  I said, "Oh wow..." again.

I fiddled with the video camera's zoom.  Through the distance, I heard Mark and The Child making a quick video.  I looked up again at the blue, black and white spectacle.  A shadow of red tickled my eye.  I wasn't sure if it was really there.  Then a red pinprick appeared, like a small ruby set on a ring.  "Oh wow...  I'm seeing Bailey's Beads!" I said.   The ruby grew to a coal.  Brighter.  "Glasses on!" someone said.  Totality was over.

The moon's shadow raced away from the house, and the valley below brightened.  I looked for shadow bands, but they weren't visible.  The sky was still dark; it was still cold; and we all thought that was the shortest 90 seconds of our lives.

The sunlight grew stronger, but it wouldn't be another half hour or so before it would be able to warm my arms.  The sun's crescent swelled.  Already the memory of the corona faded to unreality -- something fantastic one might dream, something looming too huge and dominating to have been real.

I poured myself a second mimosa.

We gazed up at the growing sun, and tried to predict when the eclipse would end.  The disk looked like a hat's bill; it looked like Ms. PacMan.  It looked like a chipped plate.  It had a bird peck out of it.   Ten minutes past all of our predictions, it was an almost perfect circle.  The disk shone, climbing in the sky, with a rough patch along one point, as if the moon had abraded it.   It was perfect once more.

Tuesday, August 15, 2017

MET Day!

Tuesday, Aug 7

Today was MET Day!



In a pleasant reversal of the beginning of the trip, I managed to figure out each train's direction.  I also managed to look like I knew what I was doing, so no cousining vagabonds sidled up to me with schemes to offer local guidance in the hallways of the Port Authority Terminal.  The subway corridors weren't that confusing and only had a few proselytizing Christians.  It was if the day conspired to be an advertisement for Friendly New York City:  the woman I asked for help with the 7 train (I normally take the S train) and I had a friendly chat; and the engineer of the 6 train was looking out for me when exited at 77th street (I guess smiling when asking, "Does this train stop at 77th street?" and shouting "Yay!" when the answer is yes goes a long way).

There was a long line to get into the museum when I arrived before the doors opened... and then we were off!  To Egypt!  It's true, I'm a sucker for Egyptian stuff.   It's been two years since my last visit, and I visited all of my MET Friends.  What was strange was that various objects had moved around.  On one hand this is good, because you can see things in a new light.  On the other hand, I thought a few pieces were no longer shown to their best advantage.

The challenge now is to find something that I haven't photographed before.  When I'm in the Egyptian Wing, I try to get sharp photos of hieroglyphics, snakes, Anubis, and Thoth.







This box caught my eye because it looks like something from the arts and crafts movement.
This sarcophagus always confounds my camera's ability to take up-close photos of the hieroglyphics covering.  Something about the lighting and the flat matte color confuses the heck out of the auto-focus.










After traipsing about for about two and a half hours, it was time to leave the land of Egypt.

 I took over a hundred pictures and it's hard to include them all in a single blog post.

I nearly died (twice) from sticker shock at the MET's cafes; I remember that their food is always on the spendy side, but my goodness prices have jumped in the last two years.

I wandered through the American Arts and Sculpture.  At the clearance sale I picked up an iridescent tie based on a Tiffany peacock feather.

At the Fertile Crescent Wing, the displays looked wrong because The Elamite Cow was on loan! I wandered into the Medieval Wing at the right time for the sunlight, because my camera seemed less confused by the low lighting during this visit.

At the far end, there was a giant, way-over-the-top painting from the 1500's by a self-taught Mexican painter.  Smaller paintings by him were exhibited in a back gallery.

I wanted to go to the Music Wing, but it was closed for renovations.  Overall, the museum was not crowded, although there were a number of times when other patrons would step right in front of me as I was looking at the art.

Near the end of the visit, I went to the Gift Shop to look at the Sale Books.  I could easily drop $300 on art books there, but my main limit was the knowledge that I'd need to haul any finds through the airport on my return.  I restrained myself to some family gifts, a monograph on paleolithic cave art and a book on 3D pop-up construction.  In a continuation of Friendly New York, the clerk was from Oregon, and we chatted about living in different states.

After a short traipse through the exhibits under the grand stairs, I ended the visit in the Roman sculpture garden.  This time around, the visit was more about seeing favorites again, and less about finding new objects to learn about and appreciate and photograph.  While it was fun to go to whatever gallery I wanted and linger as long as I wanted, I did miss the banter Mark and I had had yesterday a Bear Mountain.

The guards threw everyone out.

So I went to buy chocolate.







Sunday, August 13, 2017

Bear Mountain Lodge

Monday, Aug 7

Originally Mark and I were going to have a date in New York City. I  had hit upon the plan to visit the Brooklyn Botanical Gardens so Mark could show me his favorite plants from his last visit; and then we could visit the Brooklyn Museum to see their Egyptian Wing, which I've only seen for about twenty minutes over a decade ago.  But they were closed Mondays.  Mark didn't want to go to the MET or The Cloisters, which were the only museums in the city which were open.

Mark suggested that I go to the MET by myself, but I said that I had been looking forward to seeing something with him.  We were further constrained by needing to be at Kevin and Jackie's this time to actually meet with Jackie and their older boy.

The Internet came to the rescue with a picture of the Bear Mountain lodge, which looked like the Mt. Hood lodge and which was not on the other side of the state (actually, we'd driven close to it when we'd gone to Storm King).

Off we went.  It was raining.  Mark said that he'd actually run around Bear Mountain Park when he was on the high school track team, and later attending dance (and drinking) events in the lodge.  As we visited various locations I could hear the partial recognition in his voice.

The weekend had not been kind to the grounds; abandoned garbage was strewn about grills, picnic, and parking sites.  Mark suggested that we should create a photo exhibit of the site as patrons left.  I added that we should print the pictures, crumple them up, and litter them around the site so that patrons could participate in an interactive art installation.

Mark was worried that a kid's camp (or ten) might be having a field trip, but we pretty much had the park to ourselves.  It's possible Bear Mountain Park was also a state troop headquarters, as there were a number of state and police vehicles parked there.  We got out and tried to not look suspicious.

The mascot of Bear Mountain Park is a black bear with a (walking?) stick.  The Arts and Crafts buildings were mostly built by the WPA during the 30's out of river and glacier stones.  The impression that we were looking at a relative of the Mount Hood lodge was much stronger now that we were seeing the buildings in person.

We wandered around a carousel building; I took photos through the glass windows.  The carousel had panels along the rim of its canopy which appeared to be moments in Bear Mountain history.

From the outside, the lodge looked like a rustic version of Rivendell.  As we walked toward it, we saw a flock of large black birds roosting on the roof.  At first we thought they might be ravens, except they had necks like water fowl.  When some glided from the roof, they more like cargo planes.  It turned out they were black vultures.

The inside had had a face-lift in the eighties or nineties, and was kind of bland.  There were a couple of places in the stone walls where arched doorways had been filled, and a new square entryway had been cut out.   The main dining hall, however, still retained most of its Arts and Crafts charm--I especially liked the fireplace.  The furniture was rustic and cute.

We had lunch -- unfortunately, the sound system was tuned to a 24X7 Grateful Dead channel.  Mark remarked that we were probably the only two Eugenians who wouldn't appreciate the music.  It became more painful to listen to as lunch progressed, but at one point it was instructive as I explained to Mark how some Deadheads would be "Waiting for a Miracle" outside of live shows.

Afterward, we strolled through the Zoo and Historical Park.  Probably the funniest signs were for the Rattlesnake Display ("What would you do if it broke?") and the Clovis Hunters display with a gropey mastodon absconding with a busty Clovis woman.  I'm pretty sure we alternated damsel-in-distress versions of "Oh Halp! Halp!" with fits of giggling for about five minutes.

I'm trying to think of what in Oregon is like Bear Mountain, and the only think that comes to mind is the Eastern Oregon Nature Interpretive Center...or maybe Wildlife Safari...  except you walk everywhere and there's a swimming pool.  So I guess it's like a cross between a summer camp and a natural history museum.

We saw bobcat, weasel, several types of owl, brown bears, coyote, snakes, frogs, bald eagle, red-tail hawk, and all sorts of trees.   The brown bears were particularly interesting because the older one looked like a two dimensional Native American bead.

There was hardly anyone else at the park; every five minutes or so we'd bump into one or two other people.  The park is on the Appalachian Trail, so a good portion of them were hikers with giant packs.

At the far end of the park we came to a toll bridge.  The toll booth and highway maintenance building next to it reminded me of a German Schloss and an an Arts And Crafts Studio respectively.  Hiking was free, so we walked along it, singing "Yodel hey hee hoo!"

The gorge fell away and we were suddenly five stories above a river.  Stickers on the girders directed the suicidal to a hotline phone nearby.  I wondered who would jump off of the bridge--were they local townsfolk, and where was the nearest town, anyway?  Any how many were enough to justify an outdoor, on-the-bridge hotline?

I almost took a picture of a large butterfly resting, somewhat sheltered by the wind and rain, on the railing next to the bridge's walkway, but I opted to just enjoy it.

Back to Suffern

Saturday, Aug 5

We woke up, finished straightening up, said "So Long," to Maria and Mike, and drove away from the beach house.

Mark said, "There go the Canadians" as a white SUV with Montreal plates passed us on the Garden Parkway.   We then re-worked ABBA's Voulez-Vous into a song about geometry and beaches:  "...We've drawn it by the sea, it's intricate geometry  / drawings in the sa-aand. / triangles, circles, squares, arcs, hexagons and pentagrams / lure Canadia-ans! / Voulez-Vous, uh-huh... "  

Back in Suffern, it was a day settling in with unloading, laundry, napping, and reading.  I'm continuing to enjoy "The Golem and the Jinni."  Of course, as a writer, it's hard not to notice the occasional turn of phrase that stands out to me and watch the characters' emotional characters (which I wish I could do better--I'm seeing how, if this were my story, I'd clutter it with eye-candy and technical asides about the magic).  

The Ascendant Moon

Friday, Aug 4


Today was a beach day. Because I had a sun burn in my back, I tried to stay out if the sun more.  I read "The Golem and the Jinni" in a kind of hot tent.  The Child wanted to go into the surf, and at one point we'd gone out farther than the lifeguards wanted (Mark called us rebels afterward).

I did more compass work, a spiral made up of six circles.  I didn't use the yardstick for straight lines because my quads were sore from the previous day crouching and squatting.  I had tied a large beach towel over my shoulders because I wanted sun protection, and a shirt felt too hot.  I also wore a large floppy hat.  I'm not sure, but I think the combination of apparel flapping in the breeze made me look like some Beach Vagrant Version of a William Blake Painting of God the Architect.

The late afternoon wound up into a house-cleaning frenzy so we could leave early Saturday.



Late in the evening, Mark, Mike, the kids and I went to the south end of Ocean City to look for ghost crabs and horseshoe crabs.

The waxing gibbous moon cast pale light over everything, and the kids scurried with small flashlights from button-sized hole to hole, occasionally chasing a bolting flurry of crab legs before its owner disappeared into the darkness under the dunes.

They ran ahead.  My sore legs were improving, but would catch at me every other step with a sharp reminder of how I'd cramped them up yesterday.

I stopped to be alone with the moon ascendant over the rippling tide.  A persistant breeze out of the south pressed into me.  Polaris, Arcturus, Spica, Antares, and the other stars shone like beacons for the small cloud wisps sailing across the sky.  I felt as though I stood at the prow of the Earth as it plunged around the hidden sun, and the wind of our passage in my face was the same wind blowing against the moon.

I softly sang "Center of the Sun" and wondered how the moon would look in Eugene:  possibly rising over the eastern hills in a sky that would be blushing into twilight.  I supposed that it would be oppressively hot, as the Willamette Valley was at the tail end of a 102F heat wave, and I worried about our cats.  Smokey would probably snub us; Cicero, already with the aloofness of a barn cat, might have reverted to semi-feral savage (although there had been a photo of him hanging out with his brother, Spencer, on a neighbor's roof).

Then the others' flashlights became too distant for good hiking ettitquette, and I resumed walking.

In My Secret Bargain

Friday, Aug 4

Dream:

I was following a young girl in white to a secret garden, which was located below my folk's swimming pool, and across Heather Drive.

I'm not sure how the garden was secret, as it was screened on only one side by a fence of broad, grey weathered planks.   But the girl in white was stealthily walking down the hill (which may have been more wooded than it is in real life) and I could tell she was hoping that I'd miss seeing the secret garden.

I didn't, and had just entered it when (I think it was my sister) appeared on my folk's lower deck and said, "I think he's around here somewhere."   It sounded like there were several people with her.

I hid behind the fence, but I was still pretty visible.  The girl in white and I had a wordless exchange of glances that went something like, (her) "great, now they're going to find the garden," and (me) "don't worry, I'll distract them."

By this time, Julie and (I'll say) a 30-something businessman were walking along "the lower forty" below the deck.  I waited until they were turned away from me, and then I stepped onto Heather Drive.    Julie turned around, saw me in the middle of the street and said, "There you are; where did you come from?"

"Here I am!" I said, lapsing into a Zorro Quote.

I'm not sure where Julie went for the rest of the dream; Sarah and Gretchen, my former land-ladies, appeared around a corner.  "Oh good," Sarah said.  "We'd like you to meet Mr. Suit." (I've forgotten his real name, and in waking, this is obviously the Bad Businessman character who pops up in my dreams.)

Sarah and Gretchen wanted some land work done which involved a kind of chemical treatment--I'm not recalling if it was for my folk's land, their land, or Mark's and my property.   I was leery about spraying stuff all over, and I had some concerns that Cicero and Smokey would be poisoned.

"So."  I turned to Mr Suit.  "Do you use an herbicide or a pesticide for this treatment."  

Mr. Suit gave a condescending, "oh look, isn't that cute, the stupid hippy has read something on the 'net and is trying to ask an intelligent question" jargon-filled non-answer.   I asked again a few more times with similar results.

I lost my temper, said something along the lines of Mr. Suit was either dodging my questions or didn't know how his product worked and that his company should send a representative who knew what they were doing.  I think the dream-scape changed, and we were now in a college campus theatre.

Mr. Suit stormed away, angrily muttering about wasted time.

My former landladies were livid.  Sarah read me the riot act:  "Do you know how hard we had to work to get him to agree to come out here?"   They agreed that Mr. Suit had been rude and given non-answers, but apparently, I had derailed a complex arrangement of jobs that had to be done.

"I'm sorry," I said.  "This has been my day for challenging people who don't give me straight answers."  The dream went on... and when I woke up, I realized that I'd been dreaming about non-answers at least twice.

Yard Work and Bocce

Sunday, August 6

I woke up after erotic dreams involving a tree house and somehow being late to provide technical support for The Child's school...

I padded around the house and made tea.  Mark's mother's house has various singing floorboards, which are good for honing early-morning ninja skills.

I'm sure I wrote something...

Sunday was a yard-work day, Mark and The Child mowed the lawn, and I pre-groomed it by raking up all the fallen twigs.  Then I spent some time with an edging tool cutting away the grown over sod from rectangular marble pavers running along the side of Mary's house.  I had a vague notion that I'd do the entire path, but the sod was thicker than I expected and I only really got about five done.

That evening was supposed to be a home karaoke night, but somehow that didn't happen.  The Frullaney Family (three generations) visited for dinner and bocce.  Team Opera Glasses (Carolyn and me) beat Team Stooges (Joe and The Child) by about three points.

Sand Castle

Thursday, Aug 3

Today was a sandcastle day!  I went out to the beach around 9:30 with my compass, yardstick, and small bag of supplies.  Low tide wouldn't be for a couple of hours, and nary an umbrella could be seen on the wide, flat shore stretching away north and south.  The day stretched forward like the smooth sands around me.

First I made a net of circles--a tessellation of six circles around a seventh in the center.   It's a relaxing pattern that let me get a feel for how the compass would respond in the sand.  I continued the net out and then highlighted various circle sections to add some visual variety.

Then I made a simple spiral labyrinth; next a bird constructed of repeated circles on a line.  The bird came out vaguely flamingo-like, so I added a small hedgehog next to it.  By this time I noticed that I needed to hold the apex of the compass in my palm if I wanted to avoid having the rubber bands in the hinge flex and make different shaped circles.

The occasional jogger and one beach comber with a metal detector came by.  A woman asked me if it would be OK for her to photograph my labyrinth.  Later, a woman and her child stopped by; we tried to interest the child in walking the labyrinth, but she only wanted to watch adults walk the spirals.

A group of four teen boys set up the first umbrella; they had some musical device with them which was slightly annoying, but easy to ignore.   Mostly they sat in beach chairs looking out over the waves.

It was time to design the sand castle.  I wanted it to be more historical than random.  I drew a very large circle, then two interlocking squares for placement of eight outer curtain wall towers.  Then a smaller circle and square arrangement within for the inner curtain and central keep.  I suppose that historically, this would make my castle a late fourteenth century castle, with towers in corners supporting outlying towers from cannon fire.

A retired engineer came up to see what I was doing, and we had a talk about castles and Oregon -- it turned out he had done some consulting on structures' abilities to withstand waves at various points along the Oregon coast and sort of knew Corvallis (where OSU has a wave lab).

I returned to construction.  One of the supplies was a simple tower sand-mold, so I placed some of the towers.  The resulting towers were simple, but towering enough.  Sand from the excavated moat was piled into the center for the keep.  Occasionally I would pour water onto the pile and pound it to consolidate the sand into a mass I would be able to carve.  In the back of my head, I recalled that sand sculptors said they started at the top of the sculpture and worked their way down.  The tower-mold helped a lot, and by happy coincidence, seven in a row was the length of the inner curtain square.

At some point, my legs were cramping from all of the crouching, digging, and inscribing in the sand.  The beach started to fill up.  I wondered where the Dwyers were.  More people joined the four teens, and I saw that they were Canadians.  Sure enough, Marc appeared, said hello, and then a bunch of them walked toward the ocean with snorkels.

Later, the Canadians, spurred on by Marc, broke out shovels and pails and in no time had two large mounds built.  A few towers dotted the mounds, built from the deep trenches.  Another family on the other side of me also had shovels, which they used to make a kind of sea wall between the now incoming tide and their encampment of beach umbrellas, towels, and chairs.

On the other side of the seawall folks, I saw the Dwyer camp.  I saw Mark and The Child and walked over to him and sang a re-worked song from Avenue Q, "Oh, I wish you could meet my boyfriend / but you can't, 'cause he lives in Canada!"

"Oh," said Mark when he saw Marc.  "I spoke with him the other day; he's just friendly -- I don't know what my family is talking about."  Mark then went on to point out to me that my back was beginning to sunburn.  Twice.

I gave Mark and The Child a tour of the sand-works so far. The Child seemed nonplussed, and was more interested in swimming.  They added a few towers to the outer curtain and then left.

Finally, the castle was finished, or at least as finished as I wanted it to be.  I worked on another design, which started out like a racetrack and then started to look vaguely sexual, so I added more half-arcs to make it less like a yoni-lingam and more like interlocked arcs, which then threatened to turn into a swastika, so I stopped and took all my tools to the Dwyer encampment.

The tide would be splashing over the sand soon, and I was tired from all of the construction.   I'd noticed a small boy running back and forth and he finally built up enough courage to ask me if I had done all the drawings, and how (at first I thought he was one of those monsters who stomps on unattended castles).

"Hold, on," I said.  "Wait right there; I'll be right back."

He rooted himself to the spot, and I returned with the compass and ruler.  I explained how the compass opened and closed and let him have a go at it.

"Hold it and walk backward," I said when he jammed the compass into the sand and couldn't move it farther.  He made a circle and handed the compass back.

A woman, presumably his mother, hovered on the edge of our conversation, nodded her head and made a calculated grimace which I interpreted to mean "OK, this middle-aged, bearded Oregonian appears to be not summoning demons" and then wandered away when all we were talking about was geometry.

"Circles like to make triangles and hexagons," I said.  "What's your favorite shape?"

This seemed to confuse him and he said he pretty much liked all shapes, but that squares were cool.  So I used the compass and ruler to make a square in a circle, then extended the diagonals to draw a second square around the circle, and went on to reconstruct the plan of the castle.

He watched, enraptured.  I was glad to show it to him, and wished that The Child shared the interest - but he doesn't, and I suppose he makes up for it by enjoying Monty Python with me.

Later on, the tide came in.  At first the lapping waves cascaded into the moat, and I thought the castle would stand for a while.  But, I'd left an opening in the walls for the gate and the water poured through it much more vigorously than I'd imagined, and the castle fell to the waves within minutes.



That evening, with some amusement, we realized the Canadians were renting a house directly across the street from ours.  This of course prompted more renditions of "I wish you could meet my boyfriend."

Dinner was casual.  Afterward the kids went to the boardwalk, and The Child had fun smacking into mirrors in a mirror maze.







Saturday, August 12, 2017

Figures in the Sand

Wednesday, Aug 2

I dreamed that I was supposed to fill in for one of The Child's teachers, but somehow I had a dental appointment instead.  When I got to the class, the teacher's assistant, who was very miffed, said she'd gotten the class organized and now it was my turn to take over.

Things got jumbled.  The 2017 eclipse was happening, but it was cloudy.  Insert a cool computer graphic of the cone of the umbra touching down on the globe here.  Between thick clouds and a streetlight, we did manage to see the sun's corona, and then The Child was missing.

More jumbled scenes with tunnels and Batman being killed by the Joker.



Apparently, while Mark and I were enjoying a lovely evening reenacting "Moulin Rouge" from the back of an elephant's hadow, our niece, Shannon, and a cast of aggressive terns were reenacting "The Birds" on the Ocean City boardwalk (they wanted her fries).

Mark and I went to the hardware store and he purchased a measuring cup so he could make pancakes and I purchased a yard stick to help with sand drawings.

Before high tide, I was able to make a decagram, but I couldn't remember how to get the stars around the ends so they circled up.  I think next time I'm going to have to draw to interlocked pentagons and go from there.  I did manage to diagram a hexagon and conjoined pentagon.

The compass mostly works, but I have to pay attention to how I'm holding it so it doesn't flex out of the circumference I'm wanting.  The yard-stick works mostly for making lines, but it works better as a guide for the last remaining shish-kabob stick.

When I was finished with various circle and line constructions, a Montrealer (named Marc) came up and asked about what I was doing.  I was a little worried that he might launch into a "are you summoning demons" tirade, but I explained that some people knit to relax and I like making geometric constructions, and added how I was getting messed up trying to find the golden mean for some of them.  He seemed very interested in various drawings in my Book of Art and we chatted for a few moments.  It was a refreshing change from the "OMG, a Satanist!" looks I usually get on the Oregon Beaches.

Shortly afterward, the tide came in and wiped out all the circles and lines.  I'm sure there's a metaphor in there, somewhere.



After dinner, several in-laws informed me that Marc from Montreal had been hitting on me.  "He was standing really close to you," one said.  "I almost went and got Mark."   At the time over various geometric figures in the sand, I thought he was simply curious about what I was doing--but I had wondered as I trudged back from the beach if perhaps I had been so focused on the Golden Mean that I missed an undercurrent in his body language... and then dismissed the idea because he seemed about twenty years my junior.

In the evening, the family split up.  Some folks returned to Atantic City, others went out for a fish dinner, some to miniature golf, and others stayed home.

I stayed home; I tried to set up a table on an outside porch, but it was less rain-proof than I expected -- which was too bad, because I'd set up a table and chair to escape the episode of "Law and Order" that was on the TV.  I ended up writing to some baroque music I had on hand for just such a situation.

More Jersey Shore

Monday, July 31

I woke up at 6 AM EST and crept around the kitchen to boil water for tea.  Then I wrote... kind of.   Mostly I wrote journal entries and edited them a bit to polish the prose and add Fosterian WHYs to the already existing WHATs.  I figure any writing is better than no writing, and if I can get into the swing of writing blog entries in a different time zone, I can transition into some early morning short story writing.

We went to the beach.  This time I brought along my newly-constructed shish-kabob compass, my Book of Art (with decagram design) and water shoes (because I'd sun-burnt the tops of my feet the previous day).

The difficulty with making geometric designs in the sand with a compass is that sometimes you want a straight edge.  The stakes I had were fairly good for a cobbled-together compass, but they were too bendy to use as a straight edge.  I settled on using a yard-stick, but there were none to be found in any of the small shops near the house.

After swimming in the Atlantic, I tried to make some constructions, but the tide was too high.

As I was swimming for a second time, a young man waded up and said, "Hi John!"  I thought for a moment it was someone I knew from Carleton College, but it was Connor, Mark's nephew.

"Ah!" I said, "I didn't recognize your red hair (it was longer and redder).  You've got a beard!"

"You've cut your hair," he said.

Mark swam up.  "You've finally grown a proper Kringle Beard!"