Showing posts with label new moon. Show all posts
Showing posts with label new moon. Show all posts

Saturday, June 13, 2026

Musings on the Scrying Glass

Clear glass sphere with a three dimensional stick-and-ball cube inside, illuminated by a rainbow spectrum.
June 10, 2026

The new Moon of June is creeping closer.

In an attempt to not be a tired, depressed, grumpy, and unproductive lump during new moons, for about the last year I have instead been meeting with some Wiccans of the Reclaiming Tradition to scry. The idea was that if the Moon was going to be in a phase that is supposed to be secret and regenerative, one might as well try to work with it and try to connect to the subtle influences for instruction or revelation. Those mystic crystal visions aren’t going to come on their own.

The tradition is that the Moon’s final crescent signifies the endings of processes, either of the previous twenty-eight days or of the year. The moment when the dark Moon is between the Sun and the Earth is a time when unconscious processes become secretly energized and rejuvenated (and not tired and grumpy at all). And the very first sliver of a new Moon is the time to set intentions for the month or for new beginnings. Extra interpretive points if you add in seasonal flavors: a new Moon at October’s end would indicate that the veils between the worlds are extra sheer. We typically cast a ritual circle and then meditate on a dark blue glass sphere before dismissing the circle.

I do find myself sometimes wishing we were dancing in a larger group instead of five or six of us sitting around a collapsible table draped with fabrics decorated with mystic symbols and set up with ritual tools and beeswax candles at the world’s four corners surrounding a blue glass sphere. I do find myself sometimes feeling like this is an exercise in applied pareidolia or daydream interpretation. And in more practical moments I notice that I’m not producing something like Jung’s Red Book (which, now that I think of it, counts as a kind of Book of Shadows), or applying ritual means to political, physical, or personal ends. At least I’m not peering into the future to try to divine winning Lotto numbers.

However, there are enough surprising or startling phenomena to justify the continued practice—like that one time I looked into the sphere and instantly saw a miniature scene of someone with a backpack standing on a corner sidewalk with a rotunda in the distance, next to a kind of bike rack on one side and glowing, illegible letters on the other, and above, a figure in a draped cowl looked down from a portal of lunar fire. It was like seeing a completely new tarot card (which was cool, and I still haven’t figured out what it meant). The monthly practice is improving ritual technique; the discovered formula—“be whirling earth / be wheeling stars / be billowing veils / between the worlds”—works well to invoke the protective ritual circle. And there is an attempt to commune with the natural and spiritual world, to celebrate the moment of the new Moon and Earth cycles, and to transform through subtle wits and senses.

What I’ve learned:

  • It can be useful to use tarot cards as an auxiliary meditation focus when the only thing I see in the blue glass orb is my inverted silhouette or reflected candles.
  • Having a specific question or situation in mind is helpful; if you aim at nothing, you hit nothing.
  • Old Dion Fortune was onto something when she wrote about rising above illusion when mentally traveling to the Sphere of the Moon (social media, I’m looking at you).
  • Sometimes you’re just going to feel tired and grumpy instead of rejuvenated and mystic.

Monday, April 08, 2024

Oregon's Partial Solar Eclipse

Sun's disk with a tiny bite out of it near the start of the April 8 solar eclipse.
Today I managed to site today’s total solar eclipse.  Oregon was outside the path of totality, and Eugene only got about 23.5% sun coverage.  I thought this eclipse would be a little like last year’s, which was not very visible through the clouds, but the morning was relatively sunny before the eclipse, so I readied my colander, camera, and tripod with high (or at least higher) hopes.


Sun's disk with a 15 percent bite out of it during the April 8 solar eclipse.
I set up my portable work desk on the back deck and set things up.  I put a solar filter over the lens of my camera.  Back in the summer when I bought it, I had a notion that I’d fly east to be in the path of totality.  But by the time I got my act together in mid-January and sat down to actually purchase a ticket, they were prohibitively expensive.  The filter allows me to get a close-up of the sun’s disk, complete with sunspots. 


Sun's disk with a 19 percent bite out of it during the April 8 solar eclipse.
When the eclipse started, there was a light haze.  As the eclipse progressed over the next hour or so, the clouds became thicker.  This presented a bit of a challenge, as I had to keep adjusting the exposure time to compensate for changes in the sun’s luminosity.  When the cloud cover thickened,  I used a longer exposure time; when I used a longer exposure time, the camera was more likely to pick up the scattered light from the clouds.  Also, I’m also thinking the filter messed up the sharpness of focus—although I sometimes have difficulty dialing in sharpness of the moon’s features when I’ve extended the lens barrel out all the way.


Grey haired man with a beard, digital camera aimed at the sun in the background; crescent sun on camera's LCD.
Between shots I took a look at the sun through some eclipse glasses.  I also tried to get a good image of the eclipse through the holes of a colander; I think it would have worked better with more of the sun covered by the moon and less covered by the haze and clouds.  


Blurry crescents projected onto a white sheet of paper through a colander.
This eclipse was fun, and I remember the eclipse of Friday, August 5, 2017.   That eclipse was a party with eggs, bacon, and mimosas.  This eclipse was juggled between a kind of early lunch, and various Day Jobbe tasks.   The previous eclipse was a family event; this year it was just me (Mark went into work), the dog, and the cats (Aoife did lunge into the camera tripod near the end to harass squirrels).   The effects of the eclipse were muted by the clouds, and we weren’t in the path of totality, so there were no amber alerts, shadow bands, or roosting birds.


Hazy phot of a barely crescent sun seen during the April 8, 2024 eclipse.
Shortly after maximum coverage, the clouds thickened and hid most of the rest of the eclipse. I did get a few shots in at the end when the sky cleared some.  Of course, as soon as the eclipse was complete, the clouds cleared up and the sky was a deep, clear blue.


Digital camera with a fully extended zoom lens; grey haired man in the background.
Still, it was better than last year’s annular eclipse.  

I wound up taking about 200 photos. It’s safe to say that not all 200 were stunning eclipse shots, but they do show the process.  I chose about sixteen that seemed the best (or at least the most interesting).


Sun's disk with a tiny bite out of it near the end of the April 8 solar eclipse.

John wearing solar eclipse glasses.

Tuesday, September 06, 2022

The Moon and Old Songs

Crescent moon at sunset over the Victoria, BC coastal area
A week ago tonight we were traveling by ferry back to the states.  The sun set just as we set out, and the crescent moon shone over the orange horizon reflecting in the water.  As twilight deepened, the moon sank lower and became more ruddy.  As we pulled into the harbor, suddenly the moon was no longer a beacon of sky and water, but a lamp over the mountains — a pale red bow aimed below the rim of the world.   I stood on the upper deck gazing at the moon, and it seemed like I stood still on a platform while the red moon moved closer.   

An old memory of a song (by We Three) came to mind and I found myself softly singing:

"The moon sails over the city streets / Sails over stars and the water's edge.  / The wind moves the water like a spider's web, / it can be a trap, it can leave you dead.  / Swallows, moving in and out of it, in and out of it. / It's all in the way you live, in the way you live."  

When I finished, the ferry terminal bracketed the moon within a rectangle of metal.   We grabbed our bags and disembarked.   The Blackball Ferry song did not play, and I was able to maintain a poetic mood for a while.  Man, I need to find my old We Three recordings.  

 

[2022-09-26 Editor's Note:  At the beach the other day, starting with the whirlpool, more of the song came back to me:

The Moon sails over the city streets / sails over stars and the waters edge.// The wind moves the water like your wavy hair / I see a reflection there / in the whirlpool. // Thread like like a spider's web,  / it can be a trap, it can leave you dead.  / Swallows, moving in and out of it, in and out of it. / It's all in the way you live, in the way you live.

 I'm still not sure about that double "in the way you live," at the end and have a vague notion there's something about living on the waters edge or looking from a cliff.]

Sunday, April 03, 2022

New Moon and Dreams

It's new moon.  This last one has been somewhat typical in that instead of feeling the Currents of Nature Flowing through the Secret Station of Regeneration, I've just felt fatigued.  

Lately I've been trying to use social media less and journal by hand more.  I'm doing this to recondition my brain to go through the mechanics of writing and composing, to help with focus, and also to improve my dream recall.  One advantage of journaling is that I don't have to censor it or make it as publicly performative as much as I would for an on-line post.  

It's hard to tell if it's working, but I at least I have had some interesting dream images appear over the last two weeks.  Significantly, I had a "Return to Arcosanti" dream the other day that was different on three counts.  Instead of being there by myself, Mark was with me;  instead of feeling stuck there and anxious about travel back, Mark said, "We're not in a hurry. Why don't we spend the night?", and; instead of the canyon being filled with a giant lake, there was a glowing, crystal structure at the base of the southern mesa facing the site.   

On the reading front, I set aside Jung while I read a fluffy book about Aleister Crowley and Dion Fortune.  I guess I've been spoiled by Ronald Hutton, because I was disappointed by the second- and third-hand anecdotes and speculation in the book.  At 160 pages, it was a quick read  filled with trivia.  The central theses are that Crowley and Fortune might have worked together, that they were geniuses, that they lay the astral groundwork for the queer (Crowley) and women's (Fortune) movements through sex magick, and taken together they represent balanced polarities working in the magical European landscape of the mid 1900's.  While the book did read like the author's notes on other books,  I did think that working with a reverse-chronology and beginning the book with the two's deaths was a clever choice.  I'm not sure if I would hang onto the book it, but the book could be an interesting source for writing magician characters.






Thursday, December 17, 2020

Moon and Grand Conjunction

We were lucky enough with the weather that around 4:30 or so, it looked like there would be a break in the clouds.  I didn't think it would happen; last night it rained so hard that water seeped under our back garage door, and although this morning I could see Venus, by mid-morning it was back to felt grey skies spitting rain down on us. 

However, when I glanced out the back window around four, I caught sight of the sickle moon and readied my tripod and camera.  Thick strands of cloud stretched from the west as they passed overhead.  When I went out a little before five, I could only see the moon (and the rose-tinted clouds).

I set the tripod up at the entrance to our driveway and took a few shots of the solitary moon.  Shortly, Jupiter blazed out from behind the clouds; Saturn was still hidden.  I took a few more photos, and realized that I needed to move across the street.  I was slightly disappointed that the night before hadn't cleared up, because the Moon would have been about half the distance it currently was from the planetary pair... but, a thirteen degree separation between a crescent moon and the two wouldn't be impossible to work with.

When Mark and The Child came out of the house a few moments later to retrieve the dog from doggy-daycare, there was a little grumbling that it was dark and hard to see the porch steps (I had turned off the porch light and unplugged the decorations).  

"I'll be done and turn the lights back on soon," I said.

"Ha!" Mark said.  They drove off.


By now the clouds appeared to be thinning.  I fiddled around with f-stops and exposure times (always bracket your shots).  When clouds veiled the planets, I took some artistic shots of the moon.  Before I knew it, the sky had cleared considerably, and I was able to get some clear shots of the three luminaries.

I used the camera's extreme zoom capabilities to frame just Saturn and Jupiter.  The lens is strong enough to show Jupiter's Galilean moons, but not strong enough to resolve Saturn's rings -- so Saturn looks like an almond.  I didn't realize it at the time, but I zoomed in just as one of the Galilean moons was coming out from behind Jupiter, and as I reviewed photos later, I saw it draw farther away.  

Mark, The Child, and Aoife came back.  (And the lights were still off.)  Aoife thought I was a Monster (or something) and barked like she was going to eat me when she first saw me.  Then when I spoke, after which she pulled and yammered until Mark brought her over.  

"Oh my God," Mark said.  "Why are you in the street?  You're in [the neighbor]'s parking space.  I thought you were on the sidewalk.  No one can see you, you know." 

"The view's better from here," I said.  

Mark turned to The Child, "Artists!  They don't think about safety. This is why so many people got hurt making Spider-Man, the Musical." They retreated to the house for dog-feeding.

I snapped a few more photos, then stopped to appreciate the display.  

Fingers crossed Jupiter and Saturn will be visible the night of the 21st. 

Tuesday, June 23, 2020

Crescent Moon Muppet Philosophy

The clouds have moved away and the last two days have been hot.  The night sky has been clear, and the most exciting object is a very young crescent moon.  I might have seen Mercury close to the western horizon, but I can't be sure.   In a few days the moon will sweep by Regulus, in Leo the Lion, and a little later on, Antares, in Scorpio the Scorpion.

I managed to get some photographs of the moon -- the low angle made it look like it was being grabbed by a tree.

Composition wise, what interests me about these photos is that I think the farther away from the camera's lens the Moon or a tree branch is, the more in focus it is.  To me, the blurrier branches look farther away from the viewer than the more-in-focus ones do, but I think the opposite is true.  I guess we're so used to thinking "in focus = close" that, in absence of other clues (like color) can confuse things when that's not the case.

I'm sure Mark would point out the symbology of being more focused on the far away by channelling his Inner Yoda and saying, "This one a long time have I watched. All his life has he looked away…to the future, to the horizon. Never his mind on where he was. Hmm? What he was doing."

I think my only response would be to channel another Muppet and say, "A crescent moon in sky look like cookie, but it doesn't taste as good as a cookie!  Everybody sing!  C is for cookie, that's good enough for me..."

...You know, those trees kind of look a little like Cookie Monster...

Monday, May 25, 2020

Teasing Moon

Mark and I went for a quick walk with Aoife to the top of the hill.  Sunday morning, I actually thought Sunday night would be a clearer night than Saturday, and that I 'd manage to see the Moon next to Mercury, above a brilliant Venus.

No fear there.  Haze rolled in.  Again.  We couldn't see the Moon or anything.

Later on, there was a brief break in the clouds, and I managed a few pictures of the Moon.  The photos I got look like they'd make pensive covers for Enya albums.

I kept hoping I'd see something else, but the only thing that showed up were mosquitos.

I know you have to be in it to win it, but our part of Oregon seems to have a streak of sudden cloud cover timed to obscure various planetary conjunctions.  I guess there will be better astronomy when the spring wet season is over.

And yes, I'm thankful for the moisture we do get (even if the grey is wearing) because it alleviates the forest fire season.

Wednesday, February 26, 2020

Moon and Venus

The Moon is getting close to Venus.  It's supposed to be nearer tomorrow, but given the penchant for cloudy skies in late Winter, I figured I should take pictures now.  In a few more days, the Moon will sail past Aldebaran and the constellation Taurus.

While I was setting up, Cicero jumped up on The Fort and just happened to line up with the crescent moon.  I'm not sure why he was up on the very top rail of The Fort; maybe he likes to be as high as possible in an attempt to survey as much of the neighbors' yards as he can. 

On the Writing Front:  I've been cleaning up a 20,000 word manuscript.  Thank goodness for the computer's ability to speak text -- I've found a couple of phrase echos and a number of stupid clerical errors.  I also ran into a weird Scrivener bug where it would display one version of my text if I was looking at it on a scene document-by-document basis and an earlier version if I was looking at it on a pan-scene Folder basis.   I ended up having to create a new Scrivener file and copy-and-paste the scene documents in. 

On the Gym Front:  I went to the gym Monday (2/24) and did the Push-Pull Routine.  I went kind of late and felt tired the next day.  So tired, that I made Writing Day Hot Bath With Candles and Recordings of Singing Bowls Day and skipped the gym Wednesday. 


Wednesday, February 06, 2019

Post Gym Moon

 Continuing to be virtuous about going to the gym -- so far I've stuck to my Monday, Wednesday, Friday routine.  The new fine-tuning on the routine seems to be working:  my shoulders and back aren't as sore as they had been in the past, and I feel like the force of the weights and cable-pulls is being directed through the center of my arms, which is good. 




Coming home, the sky was clear enough for a crescent moon to shine through, so I rushed home and took a bunch of photos -- the best viewing spot was in the "treehouse" we built for The Child. 

Although it was about 40F out, I was still warm enough from the gym that I didn't feel the cold too much.  I've been trying to use an infinity focus and manual settings for the shutter speed to control for things like lens flare.  This still meant that the camera auto-focused on the trees or power lines some times -- which is a little weird because I thought I had the camera in full manual mode.

I followed the arc of the moon as it descended through the trees.  Cicero jumped up onto the treehouse near the end of the photoshoot.  I tried to take his picture, but since he's a black cat in a dark yard at night, it didn't come out. 

Tuesday, August 14, 2018

Vancouver, Washington

Last night I was hoping to see the crescent moon next to Venus.  The smoke from various fires -- I'm not sure if the haze was from British Columbia or California -- obscured Venus completely and turned the moon into a ribbon of orange rind. 


Over the weekend we visited some friends in Vancouver, Washington.  I had some time, so I wandered around the old downtown.  I didn't visit the old Bell Exchange Building, mostly because I can never quite remember where it is.  I managed to get a close-up of a stone lion's face (see Aug 11's photos), which when I showed a local resident expressed surprise that it was there (just two blocks away from her shop).

I strolled by the city's fish bell tower, and took some obligatory bronze salmon statue photos.  The downtown park features a house from the 1880's, similar to Eugene's Shelton McMurphy house, and I took a few pictures, but the lighting wasn't the best and there was a huge beer-garden party going on in the park with unaesthetic cyclone fencing all around everything and lending an air of internment camp to the day.  Only with 80's rock.

What I like best about old houses like this is the detail work around the locks and door nobs and nooks.


Sunday, April 15, 2018

First New Moon of Spring

Tuesday (4/10).  Went to the gym.  Felt a little rushed.  25 minutes and 300 cal on the Nordic Elliptical.  13x(30+50+60)lbs on the pec fly.  13x(30+40+50)lbs on the deltoid fly.  13x(60++70+80)lbs+8x90lbs on the lat pull down.  3x13x35lbs barbell curls 13x3x(30)lbs on the tricepcs pulldown.   

Tuesday Night Writing went slowly: I had misplaced my keyboard, so I wrote longhand.  Writing longhand results in (mostly) better prose as my fingers don't get ahead of my head and I come up better phrases as I'm writing instead of writing whatever and adding synonyms if the first word isn't write (and editing later).



Thursday  (4/12) Feeling fallow.  The other day I was looking through some pictures of a relative's wedding and there I was, sitting in a pew, with what looked like someone's white purse perched on my head.  Or maybe somebody behind me had a white hat.  I stared and stared at the picture, trying to make sense of what I was looking at when I realized it was my hair:  the combination of the long top and close cropped sides had come together to make me look like some old punk rocker or Blank-Reg from Max Headroom.  Comments from my family involving "your grandma Agnes" and
 "cockatoo" were not helpful. 



Saturday (4/14).  35 minutes and 310 cal on the Nordic Elliptical.  13x(30+50+60)lbs on the pec fly.  13x(30+40+50+50)lbs on the deltoid fly.  13x(60++70+80+80)lbs+8x90lbs on the lat pull down.  3X13 Roman Chair curl-ups.  3x13x35lbs barbell curls 13x3x(30)lbs on the tricepcs pulldown.  2x8x7.5lbs front and side pull-ups.  

Writing this week has gone slowly.  I think I'd call it editing more than anything else.  The project is holding steady at 40,000 words.  I'm at that point where it feels like the piece is more a collection of events with the same characters... and the character motivation and emotions need work.First 



Sunday (4/15).   I came across a Facebook posting from Selena Fox:  a picture of a dark disk surrounded by Celtic knot-work and the phrase "Dark moon. Dark moon.  We attune."  I like that, and I added "sometimes "we attune" feels like "we crave dark chocolate to stave off the feelings of listlessness and depression and to dampen the Call of The Void."  

I suppose that I should look into what it is about new moons that is connected to my low energy / uncreative state  (it's something I've noticed since the 1980's) so I can figure out if it's a circadian rythem or a self-induced placebo effect, or what.

Wednesday, September 24, 2014

Autumnal Musings

Autumn and rain have returned to the valley.  The ground in our backyard has been so dry the last few weeks that we've had big cracks in the garden, and I hope the rain closes things up.  I think the only way we could fix the cracks permanently would be to bring in a truck of soil and sand and replace all the clay in our yard.  

It's the new moon.  New moons are sometimes difficult for me--as I've written before I want to be mystical and prophetic during new moons, but I end up feeling sleepy and depressed.  Especially when I get story rejections.  I was looking ahead at various astronomical  events, and I noticed that for the next few quarter days (winter solstice, spring equinox), there's a new moon.  The full moons fall a little after the traditional cross quarter days (Halloween, Ground Hog Day).  If I were very clever, I would submit stories so that the editorial response happens during the full moon, and then I could be manic about rejections acceptances!

It's always amusing for me to read Dion Fortune's accounts of her equinoxes, as she would stay up all night keeping some sort of vigil and writing about the dangers of the time of flux -- I never quite understood what she was darkly hinting at, and suspect it has something to do with polarity:  with everything being equal she'd feel like all of her mystical cosmic batteries were uncharged; it's very different from the equinox rituals of the later Neo-Pagans celebrating balance and harvest.

Fall term at the university is starting soon; the new students arrive tomorrow and suddenly the campus will be filled with eighteen and nineteen year olds.  Already the foot, bicycle, and automobile traffic is becoming congested, and I expect pandemonium tomorrow.

Wednesday mornings are frequently skip days.  Tuesday night is Wordos night, and usually we go to the local bar and grill afterward for food and drinks and discussion.  Last night's discussion was focused on writing the feminist agenda in fiction, identity politics, and using writing to change the world.  I'm not sure how one sets out to write political fiction which works as fiction.  I believe that writing should be more about expressing one's experiences, the human condition, and telling a good story, and less about a manifesto... although I've enjoyed many of Sheri S Tepper's novels, so I think it can be done.  

The down side to post-Wordos socializing is that I end up staying up past 10 PM, and then the next morning is difficult.  I'm always tempted to drink more tequila than just one drink, and on those occasions when I channel my inner Alfred Doolittle, I'm always regretting the lost productivity the next morning.

Project:  Uh? Project? Blaming an emergency at work for cutting into afternoon writing ...

Workout:  150 calories in 12 minutes.  Plus weight-clinking with some increased reps.  (I lost momentum skipping Monday's workout)

Sunday, March 02, 2014

New Moon, New Projects

It's the new moon.  I like to imagine that I'm going to get things done, or at least started, during the time of new beginnings promiced by the new moon.  To that end, I re-started my disco dancing excersise routine.  The reward for that is that I'm sore today, especially in my right calf; one does not simply jump into extended cha-cha, Ricky Martin songs or no.

I've also put some more entries into my writing journal.  If I can keep that up, that would be good.  Keeping up a system of accountability is going to be key during the next three months.

The very rough draft in progress at the moment is very rough:  the pieces from the week's twenty- and fourty-minute sessions are pretty disconnected.  Yesterday's longer writing session (thank you Mark, for clearning the house) was more about outlining and fitting vinettes together.  

And then there's the inventory of stories which need to be sent out.  Time for various mantras about writers, submissions, and rejection slips.  

Friday, February 08, 2013

New Moon and Time Management

It's the New Moon. New Moons are hard for me -- I usually feel a little low energy during them. I try to take a look at what structures I have in place during this time, and try to rely on them to carry me through. As I've written before, I try to be mystic, but end up only feeling tired.



On the writing front, one tool I've read about and thinking would be a good idea is a writing time journal. I was trying to figure out how much time I'd spent working on a 2000 word story and I realized that I wasn't sure if I'd spent 20 or 40 hours working on it. Assuming that I was paid $150 (five cents a word) for the story, that set an hourly rate of either $7.00 or $3.50.

Hmmm. Don't lose the Day Jobbe.



On the dream front, I had a pleasant flying dream. I also dreamed that Mark had whisked away the shelving in our bedroom and replaced it with my old oak desk.

Friday, December 23, 2011

Snake Dream

I was going on a hike with Mark in the fields and hills between my parents' house.  There was a group of us, but other than Mark, I don't recall who.  I quickly became separated from everyone, and was in a kind of cul-de-sac of blackberries in a field near Bald Hill.

I could hear everyone up on the hill, and I managed to find a trail leading through a lower place in the brambles.  The bramble paths pointed at an old brown cottage one way, and back the way I'd come the other.  I picked my way through the brambles and stepped over a small brook.

The hill and the fields transitioned at this point, I think.  They became less green and Oregonian and more arid, and more like the sonorian desert with cliffs.  I was too busy wondering about the lizard I saw scrabbling up and down a sandy dune.  I had the sense that this was a big lizard because I could see it well at a distance.

I wanted to catch up with everyone, so I headed toward Bald Hill, where I'd heard them last.  I became concerned about rattlesnakes, because I knew they'd like to sun themselves on the rocky slope.  There's a break in my recall, but the next thing I can clearly recall, I was being chased by a rattlesnake and another, smaller snake.  I was running and they were wriggling after me.

I say that it was a rattlesnake, except that this snake was banded black, yellow, and red.  Its rattle wasn't quite like a regular rattlesnakes, it was black and charred looking, like the remains of a log after a fire.

Despite running away, the snakes caught up to me, and then then rattlesnake proceeded to wrap itself around my neck and shoulders and sort of hang out.  I might have been bitten on the hand, but it was more like a grazing bite.

The setting transformed to a busy city street.  It was daylight.  I still had the rattlesnake wrapped around my throat.  I met a writer friend, but she was an amalgam of three different Wordos.

"John," she said, "I saw you from a distance and I said to myself, 'Is John wearing a rattlesnake around his neck?'  And you are!"

We had a small chat.  The rattlesnake might have changed color to something more like a rattlesnake's, and the rattle seemed less like a piece of burnt wood and more like the nestled buttons of a rattlesnake's tail.  I have a strong sense of the snake's coils.  Eventually the rattlesnake got bored or whatever, and shrugged itself off of me. 

I must have woken up or something because I was telling some folks about the dream and A.R. (also from the Wordos) looked at me like I'd just walked backwards on a high wire over a fire and said, "Well. You've certainly made your spiritual connections."


And then I woke up again.

I'm trying to figure out this dream, because I don't normally dream about snakes.  Usually after I cross a stream in my dreams, I encounter a stag or a panther or a raccoon or a white horse.  As a white person of English and Norwegian stock, I'm not grounded in Native American traditions, so I'm hesitant to break out the sage and say (in deep, serious, spiritual voice) Rattlesnake Is My Power Animal. 

But over the new moon and my birthday--both tomorrow--I think I'll be on the look-out for snakes and what they might be trying to tell me.