Showing posts with label Full Moon. Show all posts
Showing posts with label Full Moon. Show all posts

Sunday, May 03, 2026

It Could Lead to Dancing

Small copper cauldron with a small bundle of dried grapevine in it. Green lawn in background
Tra-la, it’s May. I’ve been preparing for May First—which is a calendrical cross-quarter day, a Friday, and also the Full Moon—by taking the day off and dropping hints to Mark that the weekend could be extra amorous. Western traditions for this time of year include driving cattle and kine between two bonfires for purification prior to driving them to the summer grazing lands; prancing around a Maypole, boys with red ribbons going clockwise and girls with white ribbons going widdershins; and outdoor sex in the woods. Add the Full Moon for extra magical energy; I wasn’t following the moon’s position astrologically, but it was a Scorpio Full Moon, so it would be secretive, regenerative, energy of a sexual nature.

A few days prior to May First, I posted a photo of a bundle of dried grape vines in a small copper cauldron to Instagram with the caption, “I will not light giant bonfires in my backyard on the Beltane Full Moon so that I can be ‘rescued’ by hot firemen.” I followed it up with the comment, “It could lead to dancing.”

One wrinkle in my domestic Pagan praxis is that Mark’s always described himself as a “religious non-participant.” Ahead of schedule, the oak, cottonwood, and willow trees filled the air with mucus-inducing pollen. And Mark’s never been a fan of flames larger than the ones on candles, indoors or out. So hot, throbbing, man-on-man sex between two bonfires in our backyard was definitely off the table. Probably to the relief of the neighbors. And the fire brigade.

Thursday night I watched a very close to full moon. The moon was lower and more southerly than I expected, and it skimmed over the tree tops east of our southern neighbor’s house. If I held my head in just the right position, I could frame the Rabbit of the Moon within an equilateral triangle of tree branches. I wanted to just look at the moon inscribed by branches and at the same time run over to a silver working bench and design a triangular bolo tie of silver with a jade disk displaying a rabbit. Since I don’t have a jewelry studio, I remained looking at the moon before heading inside to hide from pollen with Mark.

Fireman fantasies aside, one of the intentions for this seasonal station was to be more balanced with eros, agape, and amore, which means listening more closely to Mark. I may or may not have visualized cosmic erotic energy flowing through my second chakra during (ahem) certain parts of the night.

The plan for Friday was to hike up Spencer Butte and watch the sunrise. This was tricky because the parking lot for the park doesn’t officially open until 6 am and sunrise was 6:04, and also the low, overcast clouds enveloped the peak. So no rising sun in the east and no sinking moon in the west; only wildflowers, trillium, poison oak, cedar, iris, sword ferns with their sea-horse heads, and an ambiguous homo-social group of men (and their two small dogs) with sage (Mark thought it was marijuana) at the peak (I am uncertain if they were having a ritual of some sort or if we came across the aftermath of a group hug).

My favorite place to stand on Spencer’s Butte is a triangular slab of concrete where an observation station used to be. Mark noticed there were a lot of peanut and pistachio hulls littered everywhere, so I made an informal, impromptu ritual of gathering up the hulls while humming “Bring from the center of the sun…” under my breath. I may or may not have taken off my shirt at Mark’s request.

Back at home, Mark had to work, so I left the house and visited friends at the Cascades Raptor Center. Nike the Gyrfalcon had her back to me, which showed off the circular geometry of her feather pattern and wing arcs, so I took some photos to use as a design study. An elementary school group was also visiting, and I found myself explaining that one of the turkey vultures’ names, Lethe, was the name of the underworld river of forgetfulness from ancient Greek myth. As one does. The symbolism of teaching children about mythic forgetfulness in a bird sanctuary is left as an exercise for the reader.

Afterward, I had an early lunch at The Community Cup. I pulled out my Book of Art and wrote down some highlights of the day, and also did a kind practice-pull-no-specific-question of Tarot cards. I’m thinking the cards didn’t want to practice, because all five cards were reversed: the Ten of Cups, The Knight of Cups, the Seven of Swords, Strength, the Three of Pentacles. I suppose one interpretation is “pretending not to ask a question may hedge you from answers you don’t like, but it’s a bad way to practice discernment and divination.” I guess next time I’ll just pull cards from the top and review meanings flash-card style.

I got back home just before solar noon. By this time the clouds had lifted and most of the haze had burnt off, and the sun cast shadows through the branches of our backyard cherry tree.

There are four metal shepherds’ crooks staked around the circle of paver stones in our backyard. One, with wind chimes, is for the Moon’s South Ascending Node; another, opposite the circle, with a bird suet cage, is for the North Descending Node; a third, holding a sun-dangler-and-wind-chime, I moved to the southwest portion of the circle; and the fourth, with its crescent moon decoration, I moved to the northeast position. I put the Labyrinth Stone onto the north paver stone. I went to the south paver stone in the circle, placed the cauldron and grapevine bundle there, and tried to light a fire with the large magnifying lens.

After lots of white smoke, charcoaled burn marks on the vines, and some dark spots in my vision, I concluded the grapevines were too green to catch. I swapped out the grapevine for a beeswax candle and after a few moments had Cross-quarter Day Fire dancing on the wick. I pulled out two new candles and lit these; for an Instagram Moment I had three flames burning against the greeny grass. Eventually, I moved the newer candles into a glass lantern, but I kept the old candle in the cauldron in the station of the south, burning, burning all through the afternoon and into the early hours of moonlight.

Seated on blankets and pillows in the center of the circle, I harped a while, running through the regular store of Child Ballads and Filk, cobbled together Monteverdi, a mishmash of contemporary and improvised tunes, and tried to catch the wind in the harp strings, which is very cool when I’m able to manage it. The chimes tinkled and the fountain’s water babbled over its basalt column. I may or may not have woken up the three arbor vitae trees east of the circle.

Clouds rolled in. Mark and I laid down on the deck’s couch and spent the evening looking for the moon to rise (I swear!). The candle in the south twinkled in the grass, and the candles in the lamp melted down. Sometimes I thought I saw Arcturus, other times, maybe Spica; but all times there were clouds and no time was the moon visible. We rested. The south candle went out. The lamp candles went out. By city light reflected from clouds’ undersides, I gathered up the cauldron and lamp and harp and pillows and blankets, and shrouded the deck furniture with its covers.

Wednesday, September 10, 2025

Dodging on the Dance Floor

Painting of a dancing woman, done mostly in yellow.
I went dancing the other night. It was mostly fun, and I will admit to some bemusement.

I arrived fashionably late, paid the cover, scampered over to the dance floor, and started dancing. There were Go-Go Guys on the stage with the DJ. With a faux cage to one side of the stage. Apparently, they are a package deal. After attending several dance events in this venue, I’m fairly certain the Go-Go Guys there are more on the “strippers who dance” end of the “strippers who dance” / “dancers who strip” spectrum.

Upon reflection, I think I would have found the Go-Go Guys sexier if I had come to the event to ogle raunchy Go-Go Guys instead of coming to the event to dance to sped-up pop music. I would suppose that I am still allowed to appreciate their dancing.

The music was mostly something you could dance to: there was a lot of Lady Gaga—although it might be more accurate to say that the music I recognized the most was from of her latest album. Very occasionally, the music would turn into “Your lizard brain called, they’d like their sequencer back” music. There was one song with mean/angry lyrics that drove me off of the floor for a water break.

Every now and then at these events I remember that music by Madonna, Juno Reactor, Utah Saints, Darude, and Aqua is pushing thirty years old. And then I put my hands over my ears and tell myself, “La la la! I can’t hear you!”

The crowd of dancers ebbed and flowed in front of the stage. There was the obligatory young man and woman who stood in the middle of everything reviewing photos on their mobile. There were also The Young Women Who Go “Whooooo!” — granted, this is a step up from the Young Women Who Shout, “Oh my God! I am sooooo drunk!” I am trying and failing to imagine Dykes of a Certain Age going “Whoooo!” — instead of, say, “An army of lovers / can never be defeated!” — and I think “Whooooo!” is a generational ululation.

Although it was a full moon night, it was difficult to dance down the moon. I stared up at the disco lights as I danced and imagined that I was dancing on beams of red and blue and green. I also watched beach balls tossed around by the crowd. These would occasionally strike the lights. I made sure not to dance under any hardware.

I’m not sure what discourses are in play when the Go-Go Guys are... er, dancing(?)... with a giant, inflatable phallus. Is it an expression of male eroticism? Is it confronting the audience with a spectacle that forces them to evaluate their own relationships with male sexuality? Is it camp? I’m pretty sure it’s not a critique of the commodification of sexuality.

At one point in the evening, I’d found a place on the dance floor to dance that was close to a wall so I wouldn’t back up into anyone. As I was dancing on a variation of a Bulgarian washer woman’s steps, something arced down toward me out of the corner of my vision. I side-stepped just in time to avoid being struck by the giant, inflatable phallus as it poked out of the Go-Go Guys’ faux cage and kept on dancing to the music.

It’s just occurred to me that possibly this was flirtation. It’s also just occurred to me that maybe I should have screamed “Whooooo!” and splashed my (hypothetical) drink around while “dancing,” wide legged, with the inflatable phallus.

The Go-Go Guy with the LED poi is limited by the lower ceiling allowance of the stage area. Should he dance in front of the stage, which would give him more room for large, overhead orbits? Or should he explore more moves that have the poi grazing his body? What exactly is the dance vocabulary of poi, anyway?

Likewise, is the well-endowed, naked male blow-up doll representative of a shadow self? When a Go-Go Guy grasps the blow-up doll by the penis and whirls the doll around, is this a statement about the power of dance to sublimate or move sexual energy that is inanimate and only in potential? Technically, the male doll on the stage is a proxy Go-Go Guy—I’m pretty sure this is a critique of the commodification of sexuality.

I mean, folks were placing tips in skimpy booty shorts and Speedos, so I guess it’s supposed to be sexy.

I danced and danced and danced. A woman grabbed my hand and we improvised a kind of swing-dance around her canned drink. I would have tried some Lindy moves, but we didn’t have enough shared dance vocabulary for any social dance moves. At the end, I was grateful that she hadn’t backed into my back, somehow interlocked our arms, and, while we were still back-to-back, bent forward at her hips and hoisted me off of my feet as if I were some sort of backpack. Which stranger women have done to me in other venues. Twice.

I did wish Mark had come with me, but he isn’t a fan of dancing. Perhaps it would be more accurate to say I wish Mark enjoyed dancing as much as I do—it’s more fun to dance with someone, especially if you both understand the steps and each others’ bodies.

I danced and danced and then the music shifted and I knew it was time to go home and to bed. I got a lot of steps in, and my fitness tracker awarded me with several badges.

As I headed home, I had to reflect: Beach balls thrown and kicked into the crowd + folks with drinks on the dance floor = getting smacked by alcohol-drenched balls. Just sayin’.

Wednesday, December 07, 2022

Full Moon Conjunct Mars in Opposition

Full Moon next to Mars in opposition.
Happy Full Moon Before Yule in Conjunction with Opposition Mars.

We thought the sky would be too overcast and cloudy to see anything, but around 8 PM, there was a large enough hole in the clouds to take a few pictures.  

Full moon conjunct Mars in opposition.
Of course I was fiddling around with the tripod and the camera focus to get too many photos before new clouds swarmed overhead, but I did manage to get some shots that weren't too artsy.

The moon was already a little to the east of Mars when we saw it, so I think we missed the actual occultation of Mars.  Still the two were about a fingers-width apart, and while the clouds may have blurred Mars a little, they also cut down on the Moon's glare.


Full moon conjunct Mars in opposition.

Full moon conjunct Mars in opposition.

Full moon conjunct Mars in opposition.