Friday, December 29, 2023

Solstice Adventures in Vegas

A man with long hair dressed in a blue shirt and a black vest and pants standing between two Vegas showgirls in pink and purple fleathers.

Tuesday, Dec 19, 2023

Off to Las Vegas!

We left the house and pets under the eye of The Child, who had returned home from college for Winter Break. Our flight was delayed at the gate for an hour due to another passenger’s medical emergency. We never did find out what was wrong, but airport firemen escorted them off of the plane along with their oxygen cylinder! 



We flew over west Eugene—saw Target and then had a view of Spencer Butte and Mt. Pisgah. Then the cloud layer turned white with amber highlight and obscured the view of Southern Oregon and most of the rest of the flight.

It will be different being in Las Vegas over the Solstice—we’ll have to have late Solstice or Birthday Fire! when we’re back home in Eugene. I can’t recall when we were away in late December last… it was before COVID… Arthur was… twelve?… so six year ago (at least).


We landed in Las Vegas around 3:30; there were some light clouds and the sun felt like it was about to set at any moment. As we were walking through the security exit, the guy sitting there looked up, took in my grey-green wool cloak and long hair, paused, and said, “You look wise.”

Mark and I thought that was fairly amusing, partially because Mark was offered a “Wisdom Discount” at a Eugene store recently.

I’d forgotten how close the airport is to the strip. The most confusing visual was The Sphere: it’s so large that it shows up over the tops of all the other buildings long before you actually get to it, and with every turn on your approach you think that surely you’re going to get to its base only to realize that it’s still blocks away.

Las Vegas in winter smells like wet concrete and chlorine; like cigars, tobacco, and cannabis; like potpourri pumped up on steroids and mixed in an old ash tray; like fried food, tequila, daiquiris, and body axe spray; like automobile exhaust, Bounce sheets, and old airport carpeting; very occasionally it smells like mostly empty bottles and urine.

Two pink flamingos in repose, more flamingos in background

We stayed at a Hilton property connected to The Flamingo. Since it was winter and there was some problem with the pool, there was no obnoxiously loud pool music playing. The Flamingo was between us and the strip, which shielded us from the flashing lights and noise. Our room number was 700, which felt auspicious; the suite was pleasant and laid out so that you could have slept four people without them tripping over each other (too much). We were just above the crowns of some palm trees growing next to the building. 


For our first night out, we ate at Giada De Laurentiis. Mark described her as a Food Network presenter who tended to show her boobies, sort of like that one time in that one Star Trek: The Next Generation pan across Dianna Troi’s breasts as she poured tea. I confused her with Rachel Ray. 


“No no,” he said. “See?” and pointed to a picture of her prominently displaying some food. 


“Oh. Well. That’s a nice blouse, but she doesn’t seem to be showing her breasts.” 


Mark said, “John, take another look.” 


“Oh. That’s a peek-a-boo top, isn’t it? Hmm.” (I recalled previous non-reactions to Lee Meriwether as Catwoman and Jeri Ryan as Seven-of-Nine.) “You know, I guess women’s breasts are sort of invisible to me.” 


We had a very nice meal; I ordered a shrimp dish and Mark had something with the World’s Best Lentils. I ordered a tequila drink called, “The Destroyer.” We had a passible view of the fountains at the Bellagio.

Two men in shadows underneath large blue rings of light.

Afterward, we went to a nightclub.
The attendants who admitted us were kind of mean; I’d say some of them came to work looking for problems their attitude created; the coat check staff were nice. 


The dance floor was an oval bracketed by two bars and ringed by VIP seating. A series of lighted rings hung over the floor, and a pendulous assemblage of illuminated crystals hung from the center, giving the whole thing the feel of a giant cyborg space jellyfish mother-ship. The widest ring was about twenty-five feet in diameter. All the rings moved up-and-down independently, and could tilt. At times it looked like a mothership was landing on Devil’s Tower, other times it looked like a multi-dimensional portal. Over a hundred LED flatscreens arranged in a checkerboard pattern along the bar’s walls echoed the color scheme of the rings. A marquee player ran along the second floor balcony’s railing. 


Mark had read that the club was a multi-level club, but the upper floors were closed that night. It was billed as a smoke free club, but the no smoking rule was unenforced. The dress code of collared shirts and slacks was also loosely enforced. The cover was slightly more than we’d read; and the mandatory coat check was ten times more expensive. 


However, we soldiered on and were the first folks on the dance floor. It was fun at the beginning, although the music was a little slow. Mark laughed a couple of times and said, “Well it’s not techno enough,” when I would just be getting into the music, and then it would turn into a slow hip-hop beat and my face would fall (and undoubtedly my eyes rolled). Then the music would get better.

 
As the dance floor filled, the marquee player would read things like “Happy Birthday Ethan.” The “Congratulations, Class of 2023” did make me wonder if we were at an underage club. A few more birthday greetings ran through. And then we saw a clutch of sequin-spangled women with sparkling flares, flashing light wands, and a large green bottle, strut over to a VIP seating area, shake a flashing cue card which read, “Happy Birthday Josh,” and dance around for thirty seconds while shaking celebratory props over their heads. This happened throughout the night, occasionally accompanied with banners which would drop from the ceilings onto which would be projected birthday greetings like “Happy Birthday Alexis” and a photo (sometimes four) of the birthday celebrant. 


The music went through an uninspiring phase, and we left the filling dance floor to rest. Mark ordered a simple rum drink, and had to tell the bartender how to make it. I took a look at the light show, which took turns looking like a cool oscilloscope display and possibly a flow cytometry display. The music turned back into something one could dance to and got louder; we happily put in ear plugs and squeezed back onto the dance floor. 


We danced for a little while more. Mark is adorable when he dances; someone even complemented us. Then another couple asked us if we had extra earplugs and Mark gave him his extra set. Then some guy decided I was a stile he could use to exit a roped off VIP seating area and onto the dance floor. 


It became more crowded and more difficult to dance. Folks brought their drinks to the floor with predictable results. While some folks danced in tight little circles, others just stood on the floor chatting in clumps. Vapers were everywhere. Two girls lit up blunts next to us and Mark managed to back them away. The music turned into anthems featuring the word “way-oh;” the accompanying movement was for folks to shift their weight between their feet, flex their knees, raise one hand, and point in time with the syllables of the song, which they sang. Apparently this is how twenty-somethings dance. People got pushy. 


The music got a little more danceable and reached for a climax. Mark maneuvered us beneath the rings, which rose and rose and rose and then dropped and tilted. Spotlights like retro-rockets fired, and the crystalline assemblage lowered to just above our heads. Cold theatre mist blasted from horns surrounding the dance floor and reduced visibility to six inches. At first I thought Mark was using the mist as a cover for some scandalously dirty dancing, but he was really ducking and closing his eyes, nose, and mouth against the vapors.
We concluded going to the club was like trying to dance with smoking and vaping children at a Chuck E Cheese’s—but with an amazing light show.


Wednesday, December 20, 2023


Exterior of an 8 story tall sphere.

Today we did a lot of sightseeing, starting with a viewing of live flamingos, a walk to The Sphere, a monorail trip to Mandalay Bay, working our way through the Luxor and Excalibur and back to the High Roller (and more Sphere viewing) and off to a mystery show. 

The Flamingo Casino has a wildlife area wrapped around wings of the building. Eight flamingos live on an island in an artificial river shaded by palm trees. Mandarin Ducks, Grackles, White Faced Ducks, and Hummingbirds are in the sanctuary. Koi, Catfish, and Sturgeon swim in the waters. I believe the sturgeon was thirty years old. We visited the flamingos at least once every day. 

Getting to The Sphere was challenging; the monorail passes by it and the nearest stop is blocks away, so we did a lot of walking along side busy roads and construction zones. The Sphere is a giant computer screen wrapped around an eight story sphere. The pixels on the sphere are rings of LEDs about a handspan wide and about four feet from each other. From a distance, all of the LEDs blend together like a Seurat painting. Sometimes during the day, you can see through the skin of the Sphere, which covers a concert hall. We didn’t make it inside, partially because the Sphere wasn’t open and partially because any apparent motion caused by the inside’s display would have made Mark sick.

Close up of an array of circular LED fixtures.

We wended our way back to a monorail station. Singing “Monorail!” we boarded and zipped to the other end of the strip. Our aim was to have a 2PM Afternoon Tea, but all of the Really Nice Tea Places were already booked. Mark located an alternative venue, which turned out to be a Irish Pub Sports Bar. We confused t he waitress with talk of Ceylon OP and Bergamont, (“We’re a sports bar, not a tea house.”) but she brought us a very tasty Irish Breakfast tea. In lieu of savories and finger sandwiches, we ate sports bar fare.

The Luxor twenty years ago was more of a faux Egyptian museum exhibit than it was during this visit. Mark was aghast at the giant “Doritos” advertisement taking up one triangular side of the casino’s pyramid, and I’m pretty sure the hieroglyphics on some of the older set pieces are pretty gibberish. The newer construction did have the Middle Kingdom word “miw” or “cat” in hieroglyphs, so there’s that.

Long haird man standing in front of an Anubis statue.

After some selfies with the Anubis statue, we moved on to the Excalibur Casino.
The Excalibur was very simple, and we concluded that it was probably easier to clean than some of the more elaborate casinos.
We ended our sightseeing with a ride in The High Roller; a London Eye-like ferris wheel with encapsulated gondolas. It’s 550 feet high and takes thirty minutes to do a complete revolution. We boarded a capsule with about nine other people, a family of four and a group of two couples.

Jellyfish projected on the outside of an 8 story sphere.

We chose an excellent time, around 4:30, to rise above the strip and The Sphere. The sun was set behind scattered clouds, turned the western horizon orange, and lit up the Sierra Nevada mountain range. High-rises glowed in the deepening shadows, and we had an unobstructed view of The Sphere for most of our ride.
The mystery show turned out to be “Love,” the Beatles-themed Cirque du Soleil show at the Mirage Casino. “Love” gave me a greater appreciation for the post World War II culture and counter-culture in England.

Nightscape of the Las Vegas strip, High Roller cabin in foreground.

The opening was a dance reenactment of the Blitz, complete with Blue Meanies and tumblers leaping off of exploding brick chimneys. The show was mostly dance and aerial work, with lots of tumbling. I liked the transition into “Lucy in the Sky with Diamonds,” which filled the performance space with glittering LEDs. There was a fun sequence where sheets streamed out of a bed, which rose and became a circus tent; we were seated above the tent and saw aerialists dancing upside-down beneath very large beach balls. The contortionist bothered Mark, but I thought he was cool.
After the show, we wandered past the Mirage’s volcano show. The heat from the flame made me wince.


Thursday, December 21, 2023

Winter Solstice


A slow morning in Las Vegas. Mark went off to look at sturgeon in the Flamingo’s pools and I stayed in our room and drank tea and scrolled social media. It seems strange to be in a mostly sunny place with palm trees during the Winter Solstice. This is such an urban environment—with artificial volcanoes and canyons of glass—that it doesn’t feel Wintery at all (even with the artificial, twenty-feet-tall Christmas Trees that show up in every lobby and outdoor walkway intersections). The only real sign of the season is that the sun sets at 4:30 and it feels like evening starts at 3:30.

Man standing in front of a hippocampus statue in a pool

We survived the Bacchanal at Ceasar’s Plaace. There was lots of very good food, but no actual bacchanalia! I was surprised that a buffet breakfast could be so good. Mark said the cheeses were obviously well cared for. We had to walk off the meal by visiting the shops in the Forum Shopping area. We loitered a while and saw a very hokey Atlantis Fountain show (old animatronics, hammy voice acting, hokey plot—but there was a fun flaming pterodactyl/dragon at the end), which, sadly was a waste of time. 

We made our way back to our room for a brief reset and then I was off to ride a zip line over the Linq Properties. The lines aimed straight at the High Roller. I was hoping to ride like Superman, but that wasn’t an option, so basically I flew over the Las Vegas crowds in a sling (Mark and I had a good laugh at that burlesque image). Mark stayed on the plaza below and captured fun video of me zipping overhead, my hair trailing like a comet’s tail. 

My hair (and cloak) keeps attracting attention from valets, cab drivers, show girls, and, most recently, Captain America. Mark’s been a good sport about it, but is wishing my “NYC Don’t Engage” skills were stronger. 

We saw “O”, our second (and originally planned) Cirque du Soleil show. It was fun and I remembered much of the show from when we saw it twenty years ago. Like many Cirque du Soleil performances, there’s so much happening that I’m never quite sure where I should be looking, and so performers and props appeared and disappeared while my glance darted all over the stage.

Two men seated at a theatre; the man in the foreground is wearing a festive shirt.

I, of course, wore the World's Most Fabulous Shirt: a shirt covered in small prismatic, reflective squares. When I wore it to a previous Cirque show years ago, one of the clowns nearly broke character to ask where I had gotten it. When we entered the theatre, one of the ushers smiled and said, "Oh my! You look festive!"

"Oh, thank you," I said.

"Frisky?!" Mark said.

The usher and I turned to Mark and said, "Festive!"

"She said I looked 'festive!'" I continued. "Ugh. Here are our tickets."

"Oh, you're seated right over here. Enjoy the show and make sure you two behave!" 

It’s hard to say what my favorite vignette was; like a dream, the images blend into each other and the recall is difficult. I enjoyed the four hoop aerialists. Certainly the most gasp-inducing was when one of the catamaran aerialists missed their landing and arced into the pool (they crawled out of the pool and waited by its edge until that act concluded). 


The audience was odd; lots of families and groups chattering the entire show, but the weirdest thing was how often folks got out of their seats. In at least three instances The Unseated got in the way of roving performers. Mark attributed it to Belagio “I’m Specialness.”

Fountain show at the Bellagio tinted red-pink.

Afterward, we walked through the Cosmopolitan and weighed having a drink in The Chandelier, but Mark wanted to be outside, so we walked along sidewalks and walked over bridges and managed to find a beer garden which was up over the street and had a marvelous view of the fountain show at the Bellagio. Mark insisted that I eat a salad; we also had cheesy tater-tots and I ordered a blue-tinged drink. The fountain was on a short schedule and we were treated to several shows; Mark’s favorite number was “Hey Big Spender,” when the water gets waved back and forth like legs. Overhead, the waxing crescent moon shone near a brilliant Jupiter.


Friday, December 22, 2023


Two men in a Vegas colonnade.

We had a quiet morning in our room watching wide tailed Grackles forage for bugs in the crown of the palm trees outside the windows.

Breakfast for me was tea, pills, and an In And Out burger. Mark got a Subway salad. Afterward, I confessed my secret desire “to win a fortune in a game” by playing an Egyptian themed slot machine. We wandered through two casinos filled with Asian-themed slots before Mark pointed out a Cleopatra slot machine I’d walked right past. I put in $5 and managed to win $15. Hmm, the agency is wrong on that: I put in $5, set the betting, chose which lines across the slots to play, and pressed the PLAY button. The random sequences generated by the machine resulted a slow bleeding away of my money until there was a substantial credit result. Then Mark reminded me that we had a plane to catch, that I had “won a fortune” three times my initial investment, and that I should cash out.

My hair and green wool cloak continued to enjoy celebrity treatment.

Unfortunately, during our last walk of the strip, I lost my reading glasses somewhere, so while I was journaling on the flight home, I couldn’t see what I was writing very well—luckily, not being able to see didn’t have too large an impact on my penmanship (and my text is legible with proper eyewear). But it was a pain because I’d hoped to get some writing in on the flight. At least I could peer over Mark and see the sunset turning the clouds pink and the horizon green.

It was interesting to see who was friendly and who was gruff on the strip. I’d say the Ceasar’s Palace staff was the most stressed. Cashiers seemed friendly. Hilton at the Flamingo were friendly. Folks who managed queues seemed grumpy. Zip-line staff seemed firm but upbeat.

When we got home, the Willamette Valley was still grey, the house was still standing and the pets were still alive (Aoife was ecstatic to see us), and it was obvious from the over-filled garbage bin (uncollected by the service), dirty dishes (mostly piled in the dishwasher), the wads of blankets and pillows, and a collection of wet mats and towels in the bathroom that The Child had turned the home into a crash-space for some of his friends.

I guess what happens at home stays at home.

Friday, November 10, 2023

Slow Writing Day

A man with long grey hair and a beard looking perplexed.
Today has been a day of trying to shake some rust off of my writing abilities.  

It hasn't been entirely successful.  I thought I'd sit down with a few prompts and write, but not a whole lot has come out other than some attempts at character information, a list of prompts (which aren't exactly speaking to me), and an anemic outline.  

I've switched to writing this blog post to try to jump start the process. It's entirely possible that trying to write from an outline is the problem, and I'm going to switch back to a technique of free-associations of images–I don't remember if it was Gene Wolfe or Ray Bradbury who would sometimes follow a thread of images to a story, so we'll see.

At least the house is cleaner and the dog has been exercised and the cats fed.

Monday, September 25, 2023

Autumnal Transitions

Stained glass window showing a medieval boat in front of a castle
To misquote Oscar Wilde, summer has collapsed into autumn here in the Willamette Valley.  With the Autumnal Equinox, the unseasonably warm and bright days have been washed away, at least for now, by an atmospheric river.  The plants in the yard have gone from looking slightly withered to slightly faded but somehow more lush.  The yellow grass is poised to regain its Pacific Northwest winter verdancy.  The garden gate swings easily now that the clay in the ground has been watered and whatever shrinkage causing misaligned sidewalk and fence post has been undone.  And we've had bewilderingly dim days, as if the equinox acted like a wall-outlet timer switch that tripped and turned off the sun.


On the last day of summer, The Child went off to college. We've all been fairly laid back about it.  I asked him if we could take pictures of him moving into his dorm room for social media, complete with me, hand at my brow, clutching his knees, and wailing while the two of us were surrounded by moving boxes and laundry, but he declined.  We did have some moments on Move-In Day where I would wobbly sing "Please Don't Take My Sunshine Away," and we would both theatrically break down into fake boo-hoo-hoos. But then we'd both start snickering.  


It's not like we haven't been practicing for the last six months for this moment; he's spent a lot of time in the high school theatre rehearsing for shows or hanging out with his friends, so we really weren't seeing him much except for an hour before work and school or for a moment when he would come home for the night.   During the summer, we saw him even less, and it wasn't unusual for Mark and me to be in bed for the night before he'd come home.


Even though he was essentially only sleeping here these last few months, the first twenty-four hours after he was gone, the energy of the house shifted.  Now that he's gone his computer (and fan) are turned off, as is his air conditioner, which can account for some of the shift. But our small house isn't very sound-proof, and The Child is a dynamic person. I am pretty sure I was partially waking whenever he would come home, or get up in the middle of the night to eat the last of the pizza, or when he would thrash in his sleep and knock against whatever.  


Mark and I are not sure what the dog thinks of this.  She would trot to the front door to meet him whenever he came home. Mark thought she would be looking for him, but I haven't noticed her wandering in and out of his room or perching on the back of the davenport, forlornly sighing in a reenactment of Odysseus' faithfully waiting dog.  Although she does seem more clingy.  The cats seem to be more affected by the season's change.


At odd moments the last few days I've been struck by the weirdness of the shift.  I'm reminded of the time long ago when I had returned to Oregon and was crashing at my folks' house.  My mom said to me, "John, when you were in Minnesota and Arizona, I really didn't worry about you.  But now that you're here, I want you to know that I really don't get to sleep until I hear you pull into the driveway." Mark and I are going through something similar, but for us it's in reverse and it's a freeing up of cognitive focus.


We—or rather Mark—scoured out his room, which revealed the accumulated wear of the last fifteen years.  Most of the furnishings have stayed, and the plan is to turn The Child's room into a guest room / office.  We'll see how this works out.  Considering that Fall Term only lasts eleven weeks and he'll be back for about four weeks over the Winter Solstice, the changes we're making feel a little temporary.  


I expect on that December day when she first sees him, the dog will charge at him, barking and growling as if he were an Evil Trespasser bent on perfidy, but a split second before she's about to eat him and save us from Certain Peril and Property Damage, she'll recognize him and beg for belly rubs.

Tuesday, September 05, 2023

Discussing Decorating with Fire with a Chatbot

UserI want to have decorations with fire!  Sometimes I think it would be fun to have a large pumpkin that has flames coming out of its top or spouting out of its mouth. Or torches!  Or the bottom half of a cast iron barrel with snake forms cut out of it and burning firewood, with colored flames of green or purple.  Or some kind of convection-powered mobile made out of flaming bats (not real bats, maybe metal bats?)  Or maybe a musical instrument, like an organ that shoots flames (pause to consider a laser beam harp)!    

However, my husband is Mr. Safety, and is 100% convinced if I do any of this I'm going to set the house, if not half the neighborhood, on fire.  Or at least my long hair.  What sorts of fire-based decorations could I come up with that will pass Safety protocols.  (I also don't want to burn down any buildings, I just want to have some cool flaming things for October 31.)


🤖
Fire-based decorations can be mesmerizing and perfect for creating a spooky ambiance on October 31. However, safety should always be the top priority. Here are some fire-based decoration ideas that are designed with safety in mind:

1. **Fire Pits**: 
   - Use a commercial fire pit or a DIY version made from bricks or metal.
   - Ensure it's placed on a non-flammable surface and away from any structures or trees.
   - Use a metal mesh cover to prevent sparks from flying out.

2. **Colored Flames**:
   - Purchase special flame crystals or logs that produce colored flames when burned. These can create green, blue, or purple flames.
   - Always follow the manufacturer's instructions.

3. **Tiki Torches**:
   - Use commercial tiki torches filled with citronella oil. They're designed to be stable and safe.
   - Ensure they're placed in open areas away from flammable materials.

4. **Tabletop Fire Bowls**:
   - These are small, controlled fire features designed for outdoor tables.
   - They use gel fuel, which burns cleanly without producing sparks.

5. **Fire Lanterns**:
   - Made from paper and a small candle, these lanterns float into the sky. However, they can be a fire hazard if they land while still lit. It's essential to use them responsibly and ensure they're legal in your area.

6. **Flameless Candles**:
   - Battery-operated candles can create the ambiance of real candles without the fire risk. Some even flicker like real candles.

7. **Water + Fire Features**:
   - Consider a water fountain with a fire feature. The combination of water and fire can be both beautiful and safer, as the water can act as a barrier.

8. **Fireproof Decorations**:
   - If you're keen on the idea of flaming bats, consider making them from metal and placing small, controlled gel fuel containers beneath them. The flames can lick the bats without setting them alight.

9. **Fire Extinguishers & Safety Protocols**:
   - Always have a fire extinguisher on hand.
   - Ensure all decorations are stable and won't tip over.
   - Keep a bucket of water or a hose nearby.
   - Never leave any fire unattended.

10. **Flame Effects**:
   - If real fire is too risky, consider using lighting effects to simulate fire. There are LED lights and silk fan combinations that create a very realistic flame effect without any actual fire.

11. **Flame-Throwing Organ or Instruments**:
   - This is a more advanced project and should be approached with caution. If you're serious about it, consider consulting with a professional pyrotechnician. They can guide you on creating safe flame effects synced with music.

Remember, while fire can be a captivating decoration, it's essential to prioritize safety. Always consider the surroundings, keep flammable materials away, and ensure there's a quick way to extinguish any flames. With careful planning and safety precautions, you can enjoy the mesmerizing beauty of fire without risking harm.


User
What I really want is a Huge Bonfire in the Street that we can all dance around while singing, "This is Halloween!  This is Halloween!"

🤖
A huge bonfire in the street would indeed be a spectacular sight and a memorable way to celebrate Halloween! However, there are significant safety and legal concerns associated with such an idea. Here's how you might approach the idea while keeping safety and regulations in mind:

1. **Permits and Regulations**: 
   - Before even considering a bonfire, check with your local city or county regulations. Most municipalities have strict rules about open burning, especially in residential areas.
   - If allowed, you'll likely need a permit, and there may be size restrictions on the fire.

2. **Safety First**:
   - Ensure the bonfire is a safe distance from buildings, trees, cars, and other flammable materials.
   - Have fire safety equipment on hand, including fire extinguishers, buckets of water, and a hose.
   - Designate a few responsible adults to monitor the fire at all times.

3. **Alternative: Controlled Fire Pit**:
   - If a bonfire isn't feasible, consider a large, controlled fire pit or several fire pits. While it won't be as grand as a bonfire, it can still provide the ambiance and warmth you're looking for.

4. **Flameless Alternatives**:
   - Use LED lights, projectors, or silk fan flame effects to create the illusion of a large fire without the risks.
   - Arrange these in a circle or central area where people can gather and dance.

5. **Community Involvement**:
   - If you're envisioning a community-wide event, consider collaborating with neighbors or local organizations. They might have ideas or resources to contribute.
   - Organize a parade or procession leading to the fire area, adding to the festive atmosphere.

6. **Music and Dancing**:
   - Set up speakers to play "This is Halloween!" and other festive tunes.
   - Encourage costumes, singing, and dancing to make the event truly memorable.

7. **Safety Barriers**:
   - Set up barriers or ropes around the fire area to ensure people don't get too close, especially children.

8. **Cleanup**:
   - Plan for the cleanup afterward. Ensure the fire is completely extinguished, and the area is cleaned up.

9. **Insurance and Liability**:
   - Consider the potential liabilities. If someone gets hurt, there could be legal repercussions. Check with your homeowner's insurance and consider getting additional event insurance if needed.

While the idea of a huge bonfire in the street is exciting, it's essential to prioritize safety and adhere to local regulations. With careful planning and consideration, you can create a memorable Halloween event that captures the spirit of the celebration without compromising safety.



User
Perhaps there is a way to rig my RollerBlades to leave a trailing curtain of flame behind them while I glide through the night ? 

🤖
Creating a trail of flames behind your RollerBlades would undoubtedly be a visually stunning effect, but it's essential to approach such an idea with extreme caution. Fire is unpredictable, and combining it with the motion of RollerBlading increases the risks significantly. 

If you're seriously considering this, here are some steps and precautions to keep in mind:

1. **Safety First**:
   - Wear flame-resistant clothing, especially on your legs and feet.
   - Ensure your hair is tied back and covered to prevent it from catching fire.
   - Use safety gear like a helmet, knee pads, and elbow pads.

2. **Fuel Source**:
   - Consider using a controlled fuel source like a small canister of propane or butane. These can be regulated to produce a consistent flame.
   - Ensure the canister is securely attached to your RollerBlades and has a shut-off valve for quick deactivation.

3. **Ignition Source**:
   - Use a pilot light or electronic ignition system to ignite the fuel as it's released.
   - Ensure the ignition source is stable and won't go out while you're moving.

4. **Flame Control**:
   - Use a valve or regulator to control the size and intensity of the flame.
   - Test the system at various speeds to see how the flame behaves.

5. **Emergency Shut-Off**:
   - Have an easily accessible emergency shut-off mechanism to cut off the fuel supply instantly.

6. **Practice in a Controlled Environment**:
   - Before attempting to RollerBlade with flames in public, practice in a controlled, open environment away from flammable materials.
   - Have a friend or assistant nearby with a fire extinguisher.

7. **Legal Considerations**:
   - Check local laws and regulations regarding open flames and public displays. You might need a permit or face restrictions.

8. **Alternative: Flameless Effects**:
   - Consider using LED lights or glow-in-the-dark materials to create a "trail" effect without actual flames.
   - There are also pyrotechnic spark generators that can create a spark trail without an open flame.

9. **Risk Assessment**:
   - Understand that even with precautions, there's a risk of injury to yourself and others. Assess whether the visual effect is worth the potential dangers.

While the idea of leaving a trailing curtain of flame behind your RollerBlades is captivating, it's crucial to prioritize safety above all else. If you decide to proceed, consulting with a professional pyrotechnician or special effects expert is highly recommended. They can provide guidance on creating the effect safely and effectively.



User
Okay, okay; learn from Wiley Coyote....  How about this:  we get the lower half of  metal drum and attach ten or so metal fins to the rim so that they're forty-five degrees from the rim's tangent.  We put firewood in the drum and light it.  As the fire draws fresh air over the fins, it would make a Fire Tornado!  How high would the pillar of flame get, do you think ? 

🤖
Creating a fire tornado using the setup you described is a popular demonstration and can indeed produce a visually stunning effect. The principle behind it is that the angled fins introduce rotational air movement, which, combined with the rising hot air from the fire, creates a vortex or tornado effect.

Here's how the setup might influence the height and intensity of the fire tornado:

1. **Size of the Drum**: 
   - The size of the drum will determine the initial size and intensity of the fire. A larger drum can hold more fuel and produce a bigger fire, which can lead to a taller fire tornado.

2. **Number and Angle of Fins**:
   - The number and angle of the fins will determine how much rotational air movement is introduced. More fins or a steeper angle can produce a faster rotation, leading to a more pronounced tornado effect.

3. **Fuel Type**:
   - Dry, lightweight materials like paper or leaves can be lifted by the vortex and contribute to the height of the fire tornado.
   - Hardwoods or logs will burn hotter and longer but might not produce as dramatic a vortex unless the fire is very intense.

4. **Environmental Factors**:
   - Wind and ambient air movement can influence the fire tornado. A calm day is best for producing a clear vortex, while wind can disrupt the effect.

5. **Height of the Fire Tornado**:
   - With a standard-sized drum (like a 55-gallon drum) and optimal conditions, you might expect a fire tornado several feet tall, possibly reaching heights of 6-10 feet or more. However, the actual height can vary based on the factors mentioned above.

6. **Safety Precautions**:
   - Place the drum on a non-flammable surface and ensure it's stable.
   - Keep the setup away from buildings, trees, and other flammable materials.
   - Have a fire extinguisher or water source nearby.
   - Monitor the fire at all times and never leave it unattended.
   - Be cautious about adding fuel to the fire once the tornado effect has started, as this can lead to unpredictable flare-ups.

While a fire tornado can be a mesmerizing and relatively safe effect when done with precautions, it's essential to prioritize safety and be aware of the risks. Always ensure that the setup is stable, and be prepared to extinguish the fire if it becomes too intense or uncontrollable.



User
I'm wondering if replacing the fins with a continuous metal spiral around the firewood or fuel would be more effective.

🤖
Replacing the fins with a continuous metal spiral could indeed be more effective in creating a consistent rotational airflow, which is essential for the formation of a fire tornado. Here's why:

1. **Consistent Airflow**: A continuous spiral would provide a more uniform and consistent introduction of rotational air around the entire circumference of the drum. This could lead to a smoother and more defined vortex.

2. **Increased Surface Area**: The spiral would have a greater surface area than individual fins, which could enhance the effect by drawing in more air and increasing the rotation speed.

3. **Adjustable Rotation**: Depending on the pitch (spacing between the turns) of the spiral, you can influence the speed and intensity of the rotation. A tighter spiral might introduce faster rotation, while a looser one might be more gentle.

4. **Fuel Considerations**: With a spiral, you'd need to consider how you're placing your fuel. The spiral might interfere with stacking logs or larger pieces of wood. However, smaller fuel sources, like twigs, leaves, or wood chips, could work well.

5. **Heat Distribution**: The metal spiral will heat up as the fire burns. This could further influence the airflow as the hot metal might cause the surrounding air to rise faster, enhancing the tornado effect.

6. **Safety**: A continuous spiral might be more stable than individual fins, especially if it's securely attached to the drum. However, the same safety precautions apply: ensure the setup is stable, keep it away from flammable materials, and always have a means to extinguish the fire nearby.

In conclusion, a continuous metal spiral could potentially be more effective than individual fins in creating a fire tornado due to its ability to introduce a consistent and uniform rotational airflow. If you decide to experiment with this setup, it would be interesting to compare the results with the fin-based design to see which produces a more pronounced effect. Always prioritize safety and monitor the fire closely.



User
Science!  With Fire! 





Thursday, August 24, 2023

Dream: Flying Above The City

The latest dream was set in a city which might have been New York. The dream had been going on for some time, my recall starts on a sidewalk between very tall buildings. I recall that other people were walking along the sidewalk, but I don't recall any interactions with them. I think it was kind of dark, and possibly cloudy or rainy.

I think I flew by a power cable or possibly some light poles. At any rate, I found myself flying over a sidewalked area that was a kind of pedestrian mall in the sky. The mall in the sky was much brighter than the sidewalks stories below. I zoomed over the area in a kind of looping path that went up and around some of the other folks walking along the rooftop buildings and shops.

I was wearing my purple and black cloak, and I used it to fly up alongside of one of the buildings; I must have gone up something like twenty stories. At some point in the dream, I'm not sure when, I noticed the hem of my cloak was very tattered (it's fraying in real life). I'm not sure how, but the flat roofs of the building and its neighbor somehow joined together. Maybe I flew through a slot, or maybe the buildings were at an angle that allowed the roof decks to join.

There's a break in the narrative, and it turned out I was in LGL's apartment. I had come to visit him for his birthday. (In waking life, LGL had just mailed me a bracelet I accidentally left at his home, and his birthday is in a few days.) In the dream his apartment was two stories, with dark shag carpets and wood panelling and stairs and possibly conversation pits. I was early to the party, but some other folks appeared. I don't recall a whole lot, but at one point LGL and I were speaking and he went to his balcony, opened the sliding patio door (in waking life he has no patio, but apartments across the way do), and we stepped out. With great alarm, I noticed the balcony was under renovation and there was no railing (shortly after waking, or possibly just before I woke up, I realized I was still wearing my cloak and could presumably still fly, so the railing's absence shouldn't have been a big deal).

Monday, August 21, 2023

Dream Selfies

John looking bemused.
The dream was in progress; events had been happening in a in a cabin, but I don't recall them.  I started out talking with a guy -- I want to say he was in his 30s or 40s. I'm not sure where we got a blob of lava, a fist-sized blob glowing yellow and orange, but through the magic of dream plot it was available. I decided that I would use the lava to make tea.  I had a vessel, a kind of large snifter, made of clear thick glass.    The lava was boiling water in the snifter for my tea.  

There was a dream shift and I was in a large lake, or possibly an ocean.  Below me in the water was the large snifter and the lava blob.  I don't remember how I was able to bring the glass to the surface of the water, but somehow I did.  There was a sense that I was still making tea in the snifter with the lava, and that the snifter was containing the heat of the lava.   


As I looked down through the water, I saw a group of people swimming, almost as if they were flying.  One of them was in a trench coat and carried a stereotypical black English umbrella in his left hand.  It was P.G. I must have called to him, because P.G. came up to the surface.  We might have had a short discussion along the lines of "Look, I'm making tea."


I decided I wanted to post a selfie of myself making tea in a large snifter with lava. I placed the glass on a convenient near floating table.  My cousin, J.S. was suddenly there, floating in an inter-tube, and we had a short conversation along the lines of "Look, I'm making tea with lava."  My phone was suddenly available and I called up the camera function.


The sun was beginning to set, and it cast red-gold light along the water.  I don't recall if the selfie ever got taken before the dream moved on to other things.


---


In the second dream, all I remember was that we were at some sort of ocean side resort.  It was twilight, and I was on some concrete steps overlooking the ocean, leading up from the dunes with a bunch of other (random dream) people. We looked up and there was a missile coming straight at us—it just hung in the sky, getting larger and larger as it hurtled closer. I threw myself to the landing of the steps and covered my head.


Through dream-perspective, I watched the missile, which was about the size of a table, whiz over our heads and crash into the beach below.   Mostly sand exploded up into the air; it was loud, but probably not a loud as a real attack missile would have been.


The sky was dark blue and orange, and the missile was a dark lump near a large puddle of water on the beach.  I decided that I wanted to post a selfie to social media, so I took out my phone.  While I was composing a picture of myself along the steps and dunes, in the phone's screen I saw a man reflected in the puddle.  This was alarming, and I turned around to see him directly; he wasn't there, and I concluded that I'd seen myself in the reflection (in waking life, I'm not sure how this could be, as I would have seen the reflection of the back of my head).  


I woke up thinking that I'd dreamed about posting selfies to social media twice.

Sunday, August 20, 2023

A Review of "The Satyr's Kiss"

John pretends to read "The Satyr's Kiss" with a large magnifying glass.
Storm Faerywolf's "The Satyr's Kiss: Queer men, Sex Magic, and Modern Witchcraft" is a queering of of Feri Wiccan theory and practice, and a queer presentation of sexually explicit ritual and spell craft. 

I purchased this book because I'd been impressed with Storm Faerywolf's other writings about how using a calendar and clock effectively would help with one's spiritual practices; because he identifies as a cis-male, gay, Neopagan; and because if I'm going to read a book about sex magic, it may as well be cis-male, gay Neopagan sex magic. 


Like Starhawk, Storm Faerywolf's spiritual practice is grounded in the American Feri Wicca tradition of Victor and Cora Anderson.   But this is a book that doesn't take itself too seriously; it's a casual book that wants to take you to a fabulously earthy brunch.  This book is not "The Spiral Dance," and Storm Faerywolf is not Starhawk.  Neither is this book "The Triumph of the Moon," and Faerywolf is not Ronald Hutton.  


"The Satyr's Kiss" is divided into a philosophy section and a praxis section. The philosophy section is part introduction to Feri Wicca, part queering of Wicca, part gay history, and part the basics of sex magic.  The praxis section is a collection of rituals and spells.  


I found the review of Feri Wicca's concept of the three-part soul—fetch, talking self, and divine soul—interesting, as well as the mapping of Oak King, Holly King, and holy daemon.  I did wish for more of an exploration into the history of the two kings and why Faerywolf chose to adapt them as apposed to, say, Cernunnos and The Green Man or a trio of gods instead of a duo.  The Feri iron pentacle meditation is introduced, along with a queer variant called the amethyst pentacle. 


Gay history, like much of the material in this book, is painted in broad strokes, which gives it a strong 101 feel.  It does allow Fairywolf to construct a ritual calendar which supplements the Pagan wheel of the year and which honors the lives and deaths of various queer luminaries, such as Harvey Milk and Matthew Shepherd, and events such as the Stonewall Riots.  


While acknowledging the author wanting to avoid Hay's NAMBLA advocacy, I think there is a missed opportunity to explore Harry Hay's concept of subject-subject consciousness, and his ideas behind founding the radical faeries.  Given the number of times the author (possibly at the guidance of the publisher) reminds his readers that any sex magic described in "The Satyr's Kiss" needs to happen between legally consenting adults and that neither he nor his publisher are responsible for the readers doing something stupid or unlawful, I can see why glossing over Hay could be the easier path to take. 


In the same vein, I felt that Oscar Wilde's representation as a late 1800's aesthete and the historical backlash to the aesthete could have been expanded and connected to the sections on other types of gay cis-men.  Both Hay and Wilde are listed as honored ancestors, which would have justified a deeper dive, but "The Satyr's Kiss" really only lists people in summary.  At least this is a good starting point for folks wishing to do deeper research into the lives and main events of the queer community.


Other parts of the philosophy section broadly tell the stories of gods, heroes, mythical creatures (e.g. unicorns), historical, and contemporary figures through a queer lens.  There's not much consultation or interpretation of archeological or historical records, which contributes to a "I read this on Wikipedia" feel.  I suppose the point isn't so much to provide provenance for the stories as it is to provide queer inspiration.


The philosophy behind the sections on sex magic could be summarized "...Sex is something that we should do / Sex is something for me and you / Sex is natural sex is good / Not everybody does it / But everybody should / Sex is natural, sex is fun..."  Fairywolf points out that queer folks, even the ones who aren't cis gay male ones, are sexual beings, and as magic practitioners we should be able to practice magic with every aspect of ourselves.  The three main premises of sex magic are 1) the physical mechanics of sexual and erotic acts produces an ecstatic trance state conducive to casting spells and other numinous actions; 2) orgasm is a liminal and numinous state, and 3) because bodies are sacred, semen—like blood, saliva, or menstrual fluids—is chock full of life force and therefore an efficacious component of rituals and spells.  (While there wasn't a gay male version of Starhawk's "Spell To Be Friends With Your Womb," which would have been "Spell To Be Friends With Your Prostate," there were some that came close.)


In addition to some practical and health advice about sex, I also appreciated the advice about practicing sex magic:  "Sex magic is fun and powerful, but it should't be an excuse for being careless with each other's emotions or for simply expanding one's circle of sexual partners.  As always, if you want to have an orgy, have an orgy.  If you need Witchcraft to give you permission for indulging in carnal pleasures, then you have some deeper personal work to do first."  


The praxis section is less a book of shadows and more a collection of rhymed stanzas and suggestions for performing magical acts, with varying degrees of auto- or group sex.  Fairywolf is broad and general with his descriptions in an attempt at universality and to avoid "arbitrary details."  l should confess that I am not the biggest fan of the author's poetry.  Some of it is fine as ritual litany; some of it could use another pass to address issues with the meter.  As the author often prefaces his ritual descriptions with instructions to alter or rewrite ritual to better fit one's personal tastes and ritual needs, this makes me want to treat the poetry more like suggested guidelines rather than sacred texts.


The conclusion of "The Satyr's Kiss" is a general overview of what a queer coven might look like, with examples from Fairywolf's coven, the Brotherhood of the Satyr, and how the ideas, spells, and rituals presented in the book might be used to realize it.  Fairywolf stresses the importance of boundaries and the differences between a coven and group therapy.  A brief list of resources concludes the book.