Writing: Friday morning I sat down to slug away at my potential Sword and Sorceress manuscript ... and I realized
I think one problem is that the story started with a literary character sketch at the Word-Crafters conference and I was trying to make her fit into a Sword and Sorceress story. Thinking back on Problem Manuscripts, they have their genesis in (usually character) workshops. Anyway, although I hate to think about the time I've put into it, at this point it seems the best to start over with something new. Like finger-painting.
- it was a loose series of vignettes,
- the character's conflict was low-stakes and very internal,
- and that my chest was filling up with a profound loathing.
I think one problem is that the story started with a literary character sketch at the Word-Crafters conference and I was trying to make her fit into a Sword and Sorceress story. Thinking back on Problem Manuscripts, they have their genesis in (usually character) workshops. Anyway, although I hate to think about the time I've put into it, at this point it seems the best to start over with something new. Like finger-painting.
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