Tuesday, April 27, 2010

Fountain Adventures

Well, what do you know? I was up in the attic searching for glass beads to anchor an iris that I'd rescued after the winds and slugs had bent it, when I found, a small water pump.

So I guess not buying one yesterday was a blessing in disguise.

Monday, April 26, 2010

Late April Musings

Ah spring. That time of year when I obsess on purchasing a water pump and setting up a fountain. Or wind chimes. The theory being that if I do I will sonically sequester the yard and it will become an oasis of serenity. With tea.

Despite the inevitability of much more rain, I have pulled the indoor/outdoor carpet and the two wooden chairs out of the garage and installed them at Cafe John. Cafe John needs something, though; either a screen or a string of party lights or a mediaeval or classical statue or something. Je ne sais quoi... but the BBQ grill, garden hose spool, and saw-horse workbench ain't it. I want to sit down with tea and scones and feel fantastic -- in the fantasy sense -- not like I'm in the garden section of a hardware store.

Oh! And in related news, Mark made home-made strawberry "Pop-Tarts" this weekend. They were a touch on the salty side, but very good.


It's official. Second Life is bad for my writing. I've been spending way too much time on it translating a kind of history of Neo-Paganism into a museum display and logyrithmic timeline of written texts and artefacts. It's sort of like doing reseach on the holodeck, which explains the appeal. What is iteresting to me how everything clumps together around 1900 CE, 350 CE, and 400 BCE, and how modern cultural values of identity, society, deity and nature are used to interpret ancient artifacts.

Perhaps I should be a museum curator in my next life.

Anyway, the challenge for me is to say, "I only have a 20 minute span of uninterrupted time, I should write (instead of hop onto Second Life).

Wednesday, April 21, 2010

Ratios and Design.

I was flipping through a design book earlier and I read that the designer liked the ratio 1:3:9. I thought of Arthur C Clark's Monoliths -- which, now that I think more about it, were 1:4:9. What the designer said was that it was an "important ratio" used to direct attention. I wonder, why 1:3:9 ? Why not 1:4:9, or 1:2:8 ?

And why is 1:3:9 important?

On the shoulder front: The physical therapist thinks I have only one more visit to go.

On the writing front: I think my challenge is writing not when my optimal writing time is (the afternoon and evenings) but when my current schedule dictates (the mornings). It's irritating; especially when I don't have enough sleep the previous night (either through circumstance or through lack of discipline).

Friday, April 16, 2010

Life, Don't Talk To Me About Life

OK. So - it's been a new new moon; so that Prosperity Check experiment thing is over. Guess what, (surprise) I didn't get $1000 from selling short stories. In fact, I got my usual quota a rejections. So much for Prosperity Checks. Ha. I laugh disdainfully at your greedy superstition from my impoverished, artistically exalted, moral high-ground.

And the rest of this post is probably going to be a long whiny post. I'm having a bout of ennui and existential angst. Singing "The Ladies who Lunch" doesn't seem to help. Writing sad-high-school-thespian-girl haiku doesn't help. Listening to high-drama, dance tunes in a minor key with ambiguous lyrics (or Aqua) on Pandora seems to help a little.... It's messing up my writing, because I look at the stacks of manuscripts and the blank computer screens and even the finished manuscripts and I ask myself "Why Bother."

Yes, we all have stories to tell, our stories, blah blah blah... I feel like Kepler from Carl Sagan's Cosmos: "He couldn't make it work, and he couldn't leave it alone." (Insert scene of Kepler leaning back wearily from his intricate model of the solar system with planets and Platonic solids, putting his hands to his eyes, leaning back more, whapping the model, and returning his hands to his eyes)

And then I look around at the rest of my life.

Which probably explains the anxiety dreams about last-minute discoveries that I'm failing college chemistry.

I think the typical thing to do is to run away to Monaco, take a lover, or sign up for the new studies on hallucinogens. Which, to quote Judith Viorst, "seem rather impracticable."

(bing!) And our time is over. See you next week.

Friday, March 19, 2010

Happy Spring 2010 Equinox

Happy Equinox, a little early. This afternoon, to my pleasure, I checked the Portable Stonehenge with the angle between the Sun and the Moon and it was spot on. Lately, especially during the Winter Months when it's cloudy, the moon peg gets a little off. But today, when I held Portable Stonehenge up so that the sun peg's shadow crossed through the center of the board and then sited over the center and the moon's peg, the thin crescent moon was right on the moon peg's top. It sounds more complicated than it is. Anyway, out to look at the crescent moon before it goes behind a hill.

Monday, March 15, 2010

The Cynical Neo-Pagan

This morning during a writing break, I was speaking with a fellow writer, Loreen H., about how it was the New Moon, and my plans to write a "prosperity check" to myself for $1000 with "from selling short stories" on the memo line. And blog about it.

"Wow," she said. "I think you're the most cynical Pagan I know. Not spiritually but on the surface, you're almost like an atheist. ...Sort of like some pony-tailed professor atheist."

"Well," I said, "It's a side effect of wanting to be a Neo-Pagan Thomas Aquinas. I suppose if I were being honest, I'd really write, 'Being Able To Say a Variation on "Ha! Where is Your Goddess Now?!"'"

Our mutual friend, Jai, added, "And the universe will oblige you."

So. I've written my check, and now I'm going to forget about it until next new moon. We'll see if my acceptance level goes up (which, all things being equal, I'm not expecting).

I feel myself becoming more spiritual already....

Sunday, March 14, 2010

Random News

On the dream front:

Nothing much to report other than they've been too sexual for me to comfortably write about on my blog. Okay, and on occasion I've woken up wondering, not exactly "What was I dreaming?" so much as "Why did I dream that?" I prefer the dreams of sexual tension to be about rising water and overflowing swimming pools. Although now that I think about it, I suppose being in a production of MacBeth on a floating slab of rock in the middle of an indoor moat might count.


On the writing front:

I've been using Scrivener to trim down the short story I've been working on. I've got a plot, and ... I have a feeling the story as it is plotted will receive critiques like "too slow," "not enough action," and "I get the feeling that characters were working toward something, but I couldn't figure out what it was."


On the house front:

It's that time of year when I want to do things to the house. Like rip off the roof and add a second story, or install a greenhouse along the (long) south side of the house. The latest house longing is to replace our outside patio cover with one that will actually be rainproof and extend the concrete patio about three feet south and west. Oh, right, and install that labyrinth I designed eighteen months ago.

Ah well, at least I have propagated some rose canes from the pruning I did earlier.

Friday, March 12, 2010

Left Turn Rant

I don't know what it is about Eugene motorists and left turns. It seems every time I'm crossing the street (at a crosswalk with a light), there is someone turning left on an apparent trajectory to run me over.

There's nothing quite so stimulating to the fight-or-flight response as the headlights of an oncoming car.

Afterward, the driver gives me a friendly wave and mouths a "Hi." This does nothing to temper my autonomic desire to vaporize his car with photon torpedoes. A lot of photon torpedoes. I can only imagine what's going through these peoples' heads: "Oh, I know you thought I was about to plow into you with five tons of metal, but, see, it was joke; I didn't really mean it. So, um, Hi!"

It's enough to make me want to walk around with photocopies of pages from the Oregon Driver's Manual covering the laws yielding to pedestrians. I think I'd slap it onto the side of their car as they coast by.

Sigh. I suppose there's other laws about using an electromagnetic pulse gun to fry the chips in their car's engine. ("Oh, I made your car stop advancing on me while I was in a crosswalk. Nothing personal. Hi.")

Thursday, March 11, 2010

We Are the Stuff of Dreams...

I dreamed I was MacBeth. I think it started out as being in the play. The play was set in a dark stone castle, and there was a moat on the inside of the building, making a square around the perimeter of the main hall. I and another actor (dressed in medieval clothing) were on a square slab of rock floating in the inside moat, delivering our lines. I had a split sense of saying my lines as an actor, and also being MacBeth with an awareness of the play's script.

But then I became "Young MacBeth." The dream was slightly confused, because as a Young MacBeth, I was on a beach with a bunch of Vikings, and we were all standing there in the middle of the night with torches. I was wearing white homespun breaches and a jerkin (as were most of the other Vikings) and we were having a spiritual moment around some standing stones. I think there was chanting.

Monday, March 08, 2010

Applied Writing

Reminding myself that a strong protagonist, when faced with a situation that threatens something they cherish, reacts with action, not moping.

Friday, March 05, 2010

Early March Nightmare

Mostly nightmares last night. Starting around 2AM I kept waking up and drifting back into the dream-plot....

Part One:

The dream was in Gotham City, sort of colorful and bright.
I was Batman (Adam West, not any of the more modern ones). The Joker (or possibly The Riddler) had just been elected mayor of Gotham City. One of the first things Mayor Joker did was declare me a vigilante and persona non grata at city hall. The setting became more dark and Tim Burton-esque. Commissioner Gordon had to work for the Joker, but was also helping me out on the sly. In the dream he was less statuesque and shorter than the actor who played him in the campy TV show. He put on a black trench coat and set out to warn me that The Joker was going to trace the Bat Phone line (obviously, some of this dream plot has been borrowed from the show).

There was a sudden shift in the dream's point of view... and I heard a voice saying, "The government always targets the poor. They put turtle urine into the drinking water and deny them healthcare. I have a vague image of the Joker in a water treatment plant.


Part Two:

I think Commissioner Gordon walked onto a beach were a commercial was being filmed. Or else it was a beach wedding. My recall is a little muddled here, and I have an disconnected image of sea foam or else whipped cream (or bridal veils?) in my head. At some point some guy is swimming in the ocean, and sea-monster-shark-stegosauruses come out of the water and eat him. I think there was more than one kind of monster. They were fast, stealthy, had scales or rough skin, and loped about on four legs eating people. I guess they could swim, because they came from the sea. Some had short triangular heads (with shark mouths), some had bony club heads. Somehow, the Joker (or his government) had sent them.

Monsters appeared all over the world and began eating everyone. Commissioner Gordon left the beach. By now he had a white trimmed mustache and spoke with a light British accent. Monsters rushed off of the beach and into the surrounding brush to stalk everyone. Around here, the dream got its own soundtrack: staccato violin and string-section "danger lurking in the bushes; you know it's right in front of you, HA! it's really behind you and now your head has been chomped off" music.

Somewhere around here, the lighting got very dark and noir. English Commissioner Gordon was attempting to lead his children through the dark and rain-slicked alleyways of Gotham City while monsters were popping out from behind corners and up from sewers.

Society adapted to the rampaging monsters by building thick, stone walled houses -- which the monsters crashed through in order to eat the occupants. So people built buildings honeycombed with empty rooms. The dream became video-game-like in the imagery -- I watched from above as though looking at a kind of architectural drawing of a house -- as monsters with battering ram heads galloped down long narrow hallways, crashing through walls into little room after little room. Somehow they sensed the cowering occupant holed up in the the last room; quaking as the sounds of thudding stones grew closer.


Part Three:

By this time I had woken up and returned to nightmares several times.

And then I was Arcosanti.

I think I might have had a sense that I was dreaming. I remember looking at The Vaults and thinking that for once I was visiting an Arcosanti not wildly at odds with its real location and state of construction.

I was speaking with Mary Hoadley, who was a site manager when I lived there. I don't remember all of our conversation, but I think I had just moved back to Arcosanti for something like the third time. I said, "I'm sorry; I keep coming here by mistake. If you need a computer consultant, maybe I could visit for a few days once a year."

I don't recall her response (if any).

... and then I must have woken up for the seventh time that morning....

Tuesday, March 02, 2010

Writer Bug

Just write.

That's what I tell myself.

The other half of that is that I have to have something to say, something that interests me, some destination I can aim my words to.

I think that is what makes January and February (and March) so difficult for my speculative fiction -- my interest is directed inward toward mundane, banal things. So I blog; in the days before blogging I probably wrote bad poetry. Am I a post-pupating caterpillar dreaming it's a writer? In winter, as a writer I feel like a butterfly in a chrysalis, waiting for the seasons to turn so I can break out and expand my wings. I can feel the first stirrings.

Sort of. So for now, it's back to the drafts and the words written last night.

Sunday, February 28, 2010

Café John Fantasy

The weather was clear today and I'm waiting for the full moon to rise over the wooded suburban hills across the way. Today was the sort of day for buying potting soil, weeding, pruning stray rose and rosemary canes, and sprucing up the walkways and retaining walls. It also was a day for minor electrical maintenance on the house.

On days like this my thoughts turn to Café John. This morning I took a rag and some cleaner and scrubbed and polished the glass top of the plastic wicker table. (Later Mark put some torn-out electrical wires on top, so I had to clean it again.) Then I swept off the cracked concrete patio and wished it was a little bit dryer out, so that I could bring out the indoor-outdoor carpet and not have moss grow on it.

My fantasy is to go out some morning when it's not too cold and write, pausing only to sip tea or partake of a small morsel, while soft music plays in the background. In a perfect little world, someone would bring me savories on a clever little arrangement of plates. But I have to prepare it myself. The bees buzz in rosemary and lavender, and the roses add their scent to the breeze. And then the useless creature hobbles over and meows for attention.

I used to have a gazing globe, green and perfect; but it exists only in memory.

I write, away from power cords and the internet.

And then the tea is cold, or the Neighbors with Loud Trucks return, or the battery icon on the laptop displays one less bar and anyway it's time to run some other errands. I find myself, garbed in polar fleece and jeans, and not in a velvet bedroom jacket and white silk cravat. I gather the empty plates and retreat to the kitchen, where the other dishes are waiting. My writing is done.

But for a moment I was somewhere else, somewhere elegant, where writers are sustained and supported by a garden of sensual herbs, the promise of clean crisp linens, and hot porcelain.

Thursday, February 25, 2010

John Is Writing!

John is Writing! Let's help him! Roll the dice for the number of pages he's produced! Uh oh! There are obstacles along the way...

  • Caffeine! Come to me, sweet ambrosia of inspiration and fill me with the frisson of creativity. Let the fountain of words flow from -- oh damn! Mark drank the last can! Before you head out to the store, your dentist is on the phone....

  • Dion Fortune Because every story, especially if it's a fantasy with magic, needs the slightly goofy but completely thorough magical theories of a quaintly racist 1930's English Mystic.

  • The Twin Towers of Tolkien Sclerosis and Not Enough Details (because it's so clear in The Author's head it doesn't need to be on paper). See the teeny-tiny crack between the two towers? The Author (and the manuscript) need to fit through.

  • The Dictionary of Obscure Usage, chock full of words like mantis (not the bug), dolmen (not quite what Stonehenge is), transmigration (not when geese fly to the sex-change clinic every spring), sortes (dicing with fate), triptych, pistols, and meniscus. Doesn't everyone read this book before they go to bed -- I mean, meniscus is in The Joy of Cooking...?

  • Mystical! Magical! Science! Or was that Scientific, Magical Mysticism? In any case, the characters are working in a world where even rubber bands have Deep Mystical Meaning. Very likely that eclipse is a Message From Deity, even if the characters are measuring discrepancies in Mercury's orbit during it. C'mon, what did you expect from a guy with his own portable Aubrey Holes? Roll die: 1-3 Go back to Dion Fortune.

  • An Alien? At least we think it's an alien. It might be a human in a latex suit. Or it might be a houseplant. There's also a possibility the alien is really The Author. Lose a turn for inscrutability.

  • Egypt! Or at least A Pyramid! Because ancient Egyptian things rock. Especially hieroglyphs (from Greek words meaning "sacred" (from hiero) and "carvings" (from glyph)). Go on, you know you want to put a necklace on and say "Almighty Isis (Isis, Isis, Isis...)." In a pinch, replace the Pyramid with a Really Big Spaceship. Oh wait... that's been done, hasn't it? Lose a turn trying to turn a towel into the headdress the Sphinx wears.

  • The Lost Chord Blame Sir Arthur Sullivan for this one. The Author won't go quite so far as to have his characters discover The Lost Chord that Opens the Spaceship, but they will have a Mystical, Magical, Science Moment while playing their rubber band guitars and singing. Almost obligatory. Roll die: 1-3 a Certain Sound Engineer throws a mixing board at you - lose a turn. 4-5 You duck and the board sails over you. 6 - Go to Mystical! Magical! Science!

  • Tea It's Time for Tea! Really. It will help. Roll die: 1 - What The Author really needs is a Pepsi, go to Caffeine! 2-4 Ahh! Steaming Ceylon Goodness! 5-6 Lose a turn reminiscing about the now gone tea salon -- where writing, scones, ennui and that certain je ne sais quoi fleet through the air like a forgotten chanteuse's melody...

  • Silly Hippies Or maybe aliens? They are The Author's equivalent of horny teens from a summer slasher movie. Lose a turn laughing at their antics.

  • Wikipedia Because it's absolutely essential that the sexual exploits between wasps and orchids be lovingly and accurately detailed as a metaphor in the story. Roll die: 1-2 Lose a turn; 3-4 Go back to The Twin Towers. 5-6 Go back to Dictionary of Obsure Usage.

  • Gathering the Lost The weary protagonist (or perhaps the protagonist's weary Dreamer love interest) must be sung home. Go back to The Lost Chord.

  • Chocolate. There's nothing that can't be solved with just a teeny-tiny, itsy-bitsy, little chunk of chocolate. Followed by another. Now where was that stash again? Roll die 1-2 Found it! Chocolate is anti-oxidant, you know. 3-4 There's none to be had in the house for love or money. Go to Gathering the Lost. 5-6 Go to the store for more; lose turn.

  • Second Life Research! The Author really needs to understand the mechanics of addition while exploring the metaphysical and spiritual aspects of his six foot four, muscle-bound, 30-something avatar. Because the virtual can be spiritual! Lose a turn.


...Okay, back to the game...

Tuesday, February 16, 2010

Soapbox: Prosperity Checks

Lately I've been thinking about Prosperity Checks. They really bug me because they strike me not only as superstitious twaddle, but as greedy, superstitious twaddle. I get angry and sad when I hear about Neo-Pagans espousing them.

For those of you who don't know what a Prosperity Check is, the idea is that within 24 hours of a new moon, you take a blank check, write down a dollar amount, write yourself as the recipient, and endorse the check with either "The Law of Abundance" or "The Universe." You can write down on the memo line what you're receiving the money for, if you want. Then you're supposed to forget about the check and let the universe do the rest.

And this is supposed to be a spiritual practice. I'm not sure if this is because spirituality is about coaxing cash prizes from the Divine or if legal tender is how Deity shows heavenly favor.

The web sites that talk about this sometimes cite Jim Carrey as writing a 20 million check to himself and getting paid that sum for The Cable Guy. Gee, let's see, a single alleged instance of this working for an actor who'd already made millions in previous movies. Yeah, that's proof this works.

Now, I'm not going to say that making a list of priorities isn't a bad thing; and there's something to be said for being clear in your mind what you want -- but having clear priorities is only the first step. As Starhawk once said, "In order to heal the world, we have to know what we value, we have to know what actions to take, and we have to know what structures to create."

For a while, I thought I might write a Prosperity Check and on the dollar amount line write in "Snake Oil Mongers Revealed as the Frauds They Are," signed, "The Law of Just Rewards." And I'd visualize angry mobs with torches. But then I thought, Hey! Let's try another Scientific Experiment With a Data Point of One!

So, next new moon, I'll write a check to myself for $1000 and on the memo line "From selling short stories." Because, after all, elegant words telling a cool story about an interesting character isn't enough to convince periodical editors to buy my work. I need the new moon and a funny check to help me.

And if I receive the usual 99% rejection slips between March 15 and April 14, then it's that stupid Prosperity Check's fault.