It all started with the stars. For about two years, I'd been working with arrangements of stars working from inspirations in Islamic tile design, or zellij. I had a notion that I'd be able to make zellij Christmas gifts out of dough with melted Life Savers. The prototype runs I made were not a success.
I forget exactly how I bumped into The Artists' Pallet, but they had a Silhouette cutter-plotter that would cut designs out of paper for me. I used InkScape to make a zellij design, cut it out, and glued the result into a cylinder. Voila! Instant votive lamps.
My Dad's birthday is in January, so it was an easy jump to make a birthday votive using a different design based on triskellions.
Looking at them day after day, I started to fold them in my head and realized that I could probably fold a star mesh into various platonic solids. I started out with an octahedron, and managed to fold up a icosahedron.
Once I had a star globe, it was a moral imperative that I pose as a Burne-Jones painting.
On to Mother's day! I returned to the cylinder design and filled a hot pink page with mostly cut-out butterflies. The design was hexagonal, which meant I could play games with alternating butterflies circling around common centers.
I put a smaller blue cylinder inside, which made things purple, and added a few butterflies from a second pink page.
We were having an Opera Themed Birthday party. I wanted to go as Orpheus, so I designed a laurel wreath to wear. I printed out six or so leaves which overlapped and then discovered that the ends of one leaf would slide through the cut-out veins of another set. I was able to roll the leaves into a extended spiral, lock them together, and then glue them in place.
There weren't too many opportunities for decorative paper arts until my Mom's birthday came around. I wanted make something that was kind of Japanese. Mark said that the result looked like either a Parcheesi board or else like a kind of Bauhaus-Edo thing. However, I'd managed to get the color scheme right, and Mom liked it.
At some point I decided that I really needed an Egyptian Eye of Horus for my new office. I wanted something like the Eye of God over Saint Teresa of Avila... at least I think that's the name of the sculpture. I could never quite find the photo I'd seen once on the internet or in an art book or something.
For Halloween, I'd been fiddling around with bats. I thought that it would be easy to map a circle of bats to a polygon, but then I realized that I'd made a clockwise circle... which meant that the design was chiral... which meant I had to really think about how I was going to put the bats together without getting them crossed instead of overlapping.
Working on the Twelve Days became sort of like--well, like work. So to take a break from them, for fun I started to work with a reindeer design I had. I had a favorite paper punch which stopped working, so I used that as a base, fixed the horns, and then played with various leg placements. The result was a reindeer trifold.
These turned out to be more successful than the 12 days. Which was a good thing, because snow and ice pretty much shut down Eugene for a week, and I was only able to create enough of these because they were less involved to print than the Twelve Days.
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