The low A string on my harp has broken and I need to get a replacement for it. I took the harp to a local musical instrument shop, but they didn't carry any strings and were unable to order any for me. The hunt for strings continues, and I may have to order them on-line instead of patronizing local music stores.
While I was looking inside of the harp, at the underside of the sound board where the strings are knotted in, I discovered a large slip of paper. When I pulled it out, I found the slip was really three cancelled checks from 1989.
The first check was dated May 7, made out to Here Inc. for $275.60. It was the check I wrote for my harp! I'd gone to an international folk dance festival in Minneapolis with some friends. On a long table in a hall outside of the main performance area, there was a collection of various nylon- and metal-strung NeoCeltic harps. I strummed a few, decided that the sustain on the metal-strung harps was cool but too long, and on impulse picked out my harp.
(Cue Foreigner's "Juke Box Hero": "... he saw stars in his eyes / and the very next day / bought a gut-strung lap harp / from a funky folk store / didn't know how to play it / but he knew for sure / that one lap harp / played on the floor / was a one-way ticket / only one way to go....")
This set the stage for folk music performances; playing ritual music; Renaissance Faire busking; and moonlit desert nights in a white cotton duster, holding up my harp to the winds for an Aeolian concert. It also set the stage for when Mark met me harping underneath the full moon during a gay men's spiritual gathering.
The second check—written in green ink—was from May 1, made out to Northfield Sports for $211.95 for my black-with-yellow-neon-highlights RollerBlades!
In no time, I was RollerBlading backwards while juggling three koosh-balls by daylight and donning my big black-and-purple-cloak and glow-sticks and swooping around the Carleton College campus by night. There's nothing like a twilight RollerBlade humming Saint-Saëns' Danse macabre while bats flit overhead; or RollerBlading on a foggy December solstice full moon in a black cloak holding holly and a wooden skull in one's hand (and surprise gifting the holly to a corner store filled with Eugene hippies); or RollerBlading on Halloween wearing homemade cardboard owl wings and a white poet's shirt. And these were the Rollerblades I wore on a Rollerblading date through the parks of Eugene with Mark.
Sadly, the plastic boots fatigued and broke during a Halloween mishap in 2016 involving a lit pumpkin and a pile of leaves piled up against a street curb.
(Cue Foreigner's "Juke Box Hero": "...he saw stars in his eyes / and the very next day / bought some beat-up knock-offs / from a second-hand store / They weren't his old RollerBlades / but he knew for sure / that RollerBlades / laced up real tight / were a one-way ticket / into the pale moonlight....")
The third check, from July 22, written out in pink ink to Jacobson's for $33.87 records the purchase of a red-and-white polyester gingham picnic spread and napkin set, and possibly a picnic basket.
Jacobson's was a general mercantile store that sold household goods, some clothing, and possibly paper products. I'm pretty sure it had a portal to Lake Woebegone in it. This purchase involved 1) a younger, hopelessly romantic (or was that infatuated?), not-yet-out-to-himself version of myself (who wrote a lot of the kind of poetry one would expect from a self-closeted, twenty-something, hopeless romantic); 2) one of the women from Reed College that I had a huge crush on; and, 3) an airport layover where said woman-friend was flying away to start her Peace Corps mission (back when one could haul a picnic basket full of food and utensils right to a departure gate).
This particular picnic spread and napkin set was sold to me by "Old Man Jacobson" himself, who after learning that I was looking for picnic supplies (and possibly reading the stance of a hopeless romantic heading off to one last Noble Farewell Forever), interrupted my browsing with his boney hand on my boney shoulder and the question, "Is she a classy gal?"
At least three replies—from snarky to star-crossed—flitted through my mind, but I settled on "yes."
"Then this is the package for you!" he said, and presented the red-and-white polyester gingham picnic spread and napkin set from behind his back.
"I'll... take... it," I said, and set the stage for a short picnic on the International Airport Hubert H. Humphrey Terminal concourse. Some stewardesses gave us two thumbs up as they walked past us. My friend flew out of the country, and I returned to Northfield.
I'm not sure what's happened to the spread or the basket, but some of the napkins still lurk in a linen drawer in the kitchen.
I played my harp at her wedding (in Oregon) ten years later.
At the reception, the bride and her mother disappeared for a moment. While the folks around our table speculated, Mark quipped, "They're having 'The Talk.' You know—'Honey, now that you're married there's something I need to tell you. They'll beg and they'll plead but you have to be firm: you need to keep separate checking accounts.'"
At this point, the bride reappeared, perturbed look on her brow and checkbook in her hand. We dissolved into laughter as she walked by.
Mark and I still keep separate checking accounts. I'm pretty sure Mark does not keep any of his cancelled checks in any type of musical time capsule.