Saturday, December 21, 2024

A Writer's Solstice Altar

Burning beeswax pillar candle in a small copper cauldron on a desk. Computer mouse, keyboard, large tea mug, and large magnifying lens clockwise in an ark behind the cauldron.  Large computer screen in the background.
I’ve connected with a writers’ Zoom session to write. I’m writing a blog entry instead of working on a short story because it is easier to write a blog entry. I am supposing that instant gratification is in play—and in any case, writing a blog entry is better than staring at a paragraph and spending an hour researching on the web to polish a single sentence; or going back-and-forth on cutting-and-pasting the opening paragraph of the moment; or, worst of all, staring at a blank screen and not writing anything.

Today is the Winter Solstice. It’s hard to believe that this time last year Mark and I were walking around Las Vegas. The Solstice Spiral Walks that I helped to facilitate with C.N. aren’t happening at the local UU Church any more, so I won’t be drawing chalk spirals as a guide for fir boughs and candles or playing a tone drum in the pouring rain while congregants walk a spiral and contemplate the returning light. On one hand, it’s one less thing to do; on the other hand, I miss holding contemplative ritual space, even if the only folks I really knew at UUCE were C.N., G.M., S.H., and some other acquaintances.

A couple of days ago, I attended a Starhawk-Wiccan Solstice ritual (and potluck) at a pagan friend’s house; they conduct rituals for the greater Eugene pagan community. The ritual reminded me a little of the ritual Sunday services at UUCE: there was a lot of singing and swaying in place. As we stood in a loose circle and sang songs about the Children of the Goddess, the joke “Why can’t Unitarians sing? / Because they’re too busy scanning ahead to see if they agree with the words” came to mind. During a moment of ritual contemplation, I was thankful to be married to Mark. I did not sing “Nobody can hold back the dark,” during a closing chorus, but it was a near thing.

I was going to say that it looks too rainy and grey this Solstice morning to focus the sun’s light onto a candle, but as I looked up from the computer screen, wan sunlight shone onto the kitchen nook. Perhaps, I thought, there will be a break in the clouds later for strong enough sunlight to shine through. —And as I watched, the sunlight strengthened.

Recognizing that there’s no time like the present when it comes to ritual (or astronomy) and the Oregon sky, I leapt up from the keyboard and away from the writers’ Zoom session, scooped up my Anubis matches, the giant magnifying lens, and a beeswax pillar candle in a copper cauldron. (Why, yes; I do have ritual tools readily handy at my house, doesn’t everyone?)

I hurried outside to the deck. There was honest-to-goodness blue sky above. The sun shone above a thick bank of grey clouds and grazed the roofline of our southern neighbors’ house. It’s winter solstice, and shadow of their house stretches across the yard and brushes up against our foundation. The wind gusted.

“Behind you.” Mark was entering and exiting the house to do some yard work.

The deck was relatively dry for a damp, Oregon winter day. I set up the candle on one of the four round outdoor end-tables I originally bought to use for altars and attempted to focus the sunlight onto the match held against the wick. A spotlight circle of sunlight shone on the outside of the candle; the wick was deep in a thin shell of beeswax from previous candle burnings. I broke off most of the wax, turned the candle, and tried to shine focused Solstice sunlight again.

“Behind you,” Mark said.

I stood over the candle looking down on it; a thin wisp of smoke rose from the wick. Then my hair fell forward in a curtain, which made it hard to see what I was doing and risked making Mark’s dire predictions about solstice fire, candles, and really any sort of combustion, come true. I riffled my pockets for a nonexistent hair tie, all the time watching the sun, the clouds, and the shadow of our neighbor’s house.

I pulled my hair behind me, crouched down, and refocused the sunlight. The wind gusted again. The magnifying lens projected an upside-down tree onto the white smoke of the smoldering wick; I moved the patio furniture altar out of the shadow of tree branches.

Mark, who was picking up dog poop from the yard, asked, “The sun’s pretty low. Have you ever done this this early before?”

“No,” I said, watching the cone of sunlight waver as I tried to place its focal point onto the wick. This was technically a ritual, and I hadn’t grounded, invoked a proper circle, or invited the four directions. I hadn’t reflected on the hinge of the year, or the returning light, or numinous and immanent Earth processes. I hadn’t taken a moment to dedicate or rededicate my life to anything in particular.

I quietly sang, “Bring from the center of the sun…” and flame sprang from the match and wick. The wind guttered the candle; I picked it up, held it close, went inside, and brought the candle to the desk—in the writers’ Zoom session, I saw myself, long haired, in red plaid, holding a copper cauldron with a flaming candle in my hands.

I placed the candle next to my keyboard and mouse. Happy Solstice, I thought, and returned to the writers’ session.  The sun dimmed as the grey returned, but I had Solstice Fire on my desk.


Tea candle in a tripod holder in front of a tin sun-shaped cookie-cutter.  A sun-shaped shadow is cast on a wall behind the candle.

Wednesday, December 18, 2024

Sexagenarian

Painting of a skull on an arched shelf. Above the skull is a soap bubble.
Soon I will be a sexagenarian. I think this requires that I get a faux ivory figurine of Death blowing bubbles with the legend “Momento Mori.” When I entered the cohort of pentagenarians, it was much easier to pretend that I was still forty-something—and in any case, I still had half a lifetime in front of me to write and create and be generally crafty. Now The Great Transformer feels much larger on a horizon that seems much closer. And the ancient Egyptian impulse to have spoken prayers for the spirit of So-and-so is more relatable. I suppose I will also need to get a faux ivory figurine of Ozymandius.

So far about the only thing that about reaching the milestone of sexagenarian is that I am looking forward to is being able to work the phrase “putting the sex back into sexagenarian!” into conversations. Unfortunately, I’m pretty sure that I will age better than repeatedly saying “putting the sex back into sexagenarian” will. And I’m not sure how well the phrase will play in a decade when I am no longer a sexagenarian: “putting the sex back into septuagenarian” just doesn’t have the same ring and “putting the septum back” sounds unappetizingly medical. I suppose I will have to quote Calvin and Hobbes and say, “You can take the tiger out of the jungle, but you can’t take the jungle out of the tiger. / The question is ‘can you put the tiger back into the jungle?’”

I’m sure there’s a metaphor in there, somewhere.

Tuesday, December 17, 2024

When The House Feels Empty

Leather book cover embossed with a mediaeval sun design. A round pewter knob shows a crescent moon in an eight-rayed corona.
Mark has been away helping his mother and family for the last few days.

It always strikes me how our small little house feels so empty when he’s gone. The cats and dog help to fill the space, and The Child (and his cologne) is back from school, so it’s not like I’m completely isolated. The honeymoon period where I can do things that would annoy Mark is over—there comes a moment when you realize that you can only enjoy so many Marvel, Disney, or Pixar Movies (which Mark could live happily without viewing) that you can watch and only so much electronica or Mediaeval Eastern European music (which drives Mark crazy) that you can listen to because it doesn’t make up for the fact that your man is in another state. And the New York Times games aren’t as fun because Mark’s not there for us to play them together.

When he comes back, we’ll decorate the house for the holidays. This will involve moving large pieces of furniture and pulling out the seasonal table cloths and decorating the house with extra lights. 

And digging out the Christmas music that we can all tolerate.

Saturday, December 14, 2024

New Accessories!

Close-up of an earlobe with a green capped pierced earring post.
As an early 60th birthday present to myself, I’ve just had my ears pierced. Both. Apparently men just getting one ear pierced on “the gay side” is so 1985. I now have two sparkly, dark green training posts in the center of my earlobes. I’d like to think that they’re topped with emeralds, but I’m pretty sure they’re green zircons or something.

If I don’t think about them, I don’t notice that there’s some metal lodged in my earlobes. When I do focus my awareness, I can feel a slight pinch where I’m supposing the swollen flesh is pressing against the posts. I will conjecture that my body will attempt to reject the titanium implant for a week or so and then line the hole with a layer of skin. Or scar tissue. Or something. In any case, I’m suppose to rinse the holes in my earlobes with saline daily.

These are my first—and most likely only—piercings, and I’m not going to be forcing increasingly larger posts into my lobes. I held off on getting any kind of body modification because dealing with my contact lenses and hair and beard can be time consuming and it seemed easier to have one less thing to maintain. But I figured an ear piercing is another way to accessorize! So why not start now. I aspire to have a dangling Vermeer Pearl after my three month break-in period is over. And pirate hoops. And a small pink triangle of quartz.

I think most of the time I’ll have simple chrome studs or something subtle. But I do look forward to sitting down before a mirror and saying, “Bring me my studs of lapis lazuli!” or “I shall wear onyx today!” or “Adorn me with auroras set in crystal!”

And then my very long hair will fall down and cover my ears and wearing earrings will be my little secret until I tie my hair back or the wind exposes me.